Rock and roll ain't nothing but jazz with a hard backbeat.
Keith RichardsRead
There's something beautifully friendly and elevating about a bunch of guys playing music together. This wonderful little world that is unassailable. It's really teamwork, one guy supporting the others, and it's all for one purpose, and there's no flies in the ointment, for a while. And nobody conducting, it's all up to you. It's really jazz__that's the big secret. Rock and roll ain't nothing but jazz with a hard backbeat.
Interpretation
This quote highlights the beauty of collaboration in music and the essence of jazz as a fundamental element in rock and roll.
Keith Richards emphasizes the joy and camaraderie found in musicians playing together, particularly in jazz, which he sees as a model for musical collaboration. He suggests that the absence of a conductor and the mutual support among musicians create a unique and uplifting environment, showcasing teamwork and spontaneity that characterize both jazz and rock music.
In practice
A speech at a music festival to celebrate the power of collaboration in performances.
Rock and roll ain't nothing but jazz with a hard backbeat.
Everyone talks about rock these days; the problem is they forget about the roll.
There's just certain styles of playing that you do play in your own way. Maybe it's in the way your fingers bend, for all I know. And so whenever you pick up the guitar it's not so much the sound of the instrument itself, it's like the ting that you add onto it-the attitude.
If you've gotta think about being cool, you ain't cool.
If you don't know the blues... there's no point in picking up the guitar and playing rock and roll or any other form of popular music.
When you're supported by millions all over the world, you can either go nuts, or try to feed off the goodwill.
It's funny: Your relationship changes with a song over time. After a year or so, you're a different person, so your songs, you don't connect with them like you did.
When I saw Jimi Hendrix I knew immediately that this guy was the real thing ... and when he played it was like a rough sketch of what he was going to become ... this guy was our generation, and he wasn't in a suit .. he played a Howlin' Wolf song 'Killing Floor', and then we (The Cream) had to carry on the set. It was pretty hard to follow.
All you needed was a couple of instruments and a few chords and you could be on an indie label.
When I die, they'll bury the blues with me. But the blues will never die.
Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.
Ninety-eight percent of the singing I did was private singing - it was in the shower, at the dishwasher, driving my car, singing with the radio, whatever. I can't do any of that now. I wish I could. I don't miss performing, particularly, but I miss singing.
Subscribe for the occasional hand-picked quote. No noise.