The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Louis ArmstrongRead
When I go to the Gate, I'll play a duet with Gabriel. Yeah, we'll play 'Sleepy Time Down South' and 'Hello, Dolly!.' Then he can blow a couple that he's been playing up there all the time.
Interpretation
This quote reflects Louis Armstrong's love for music and his anticipation of playing with the angel Gabriel in the afterlife.
In this quote, Louis Armstrong expresses his joy and passion for music, envisioning a moment in the afterlife where he can play a duet with Gabriel, suggesting that music transcends life and connects souls. The specific songs mentioned, 'Sleepy Time Down South' and 'Hello, Dolly!', highlight his roots and the joy of sharing beloved tunes, emphasizing that music is a universal language that continues beyond earthly existence.
In practice
During a funeral, to celebrate the life and passion of the deceased through their love for music.
The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Making money ain't nothing exciting to me. You might be able to buy a little better booze than the wino on the corner. But you get sick just like the next cat and when you die you're just as graveyard dead as he is.
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
My whole life, my whole soul, my whole spirit is to blow that horn.
I've Got the World on a String.
It's America's classical music ... this becomes our tradition ... the bottom line of any country in the world is what did we contribute to the world? ... we contributed Louis Armstrong
If it's illegal to rock and roll, throw my ass in jail!
Hip-hop kind of absorbed rock in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn't their parents'. I think hip-hop became the musical style that embraces that mentality.
One thing is that I wasn't getting booked that well, and they had control over who got the awards, they had control over who sold. And they really did not want Willie or me, either one, to have a hit record. They wanted the money, but they didn't want us to be the ones.
To me, a great drummer isn't always about somebody with chops who can shred. A great drummer is someone who is part of a great band.
In hindsight, I think my manager and I both knew that 'Someone You Loved' was a special song that we had to put out. But no one was expecting it to do so well.
I joined Count Basie's band to make a little money and to see the world. For two years I didn't see anything but the inside of a Blue Goose bus, and I never got to send home a quarter.
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