The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Louis ArmstrongRead
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
Interpretation
True musical talent often comes from innate ability rather than formal training.
In this quote, Louis Armstrong emphasizes the idea that many of the greatest jazz and swing musicians were not formally trained in music theory but were instead gifted with an innate sense of music. They played from their heart and memory, showing that true artistry is often driven by passion and natural talent rather than conventional education.
In practice
This quote could be shared in a discussion about the importance of natural talent in creative fields.
The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Making money ain't nothing exciting to me. You might be able to buy a little better booze than the wino on the corner. But you get sick just like the next cat and when you die you're just as graveyard dead as he is.
My whole life, my whole soul, my whole spirit is to blow that horn.
I've Got the World on a String.
It's America's classical music ... this becomes our tradition ... the bottom line of any country in the world is what did we contribute to the world? ... we contributed Louis Armstrong
When I was young and very green, I worte that tune, Sister Kate, and someone said that's fine, let me publish it for you. I'll give you fifty dollars. I didn't know nothing about papers, and business, and I sold it outright.
I love to play. And fortunately, I don't know a lot of musicians that suck. I know a bunch of really good ones, and they're always up for playing.
Paul Ryan's love of Rage Against the Machine is amusing, because he is the embodiment of the machine that our music has been raging against for two decades.
Michael Jackson carried urban America and eventually American society on his vocal cords for a good 25 to 30 years before even hip-hop became the vox populi of America, and then as an adult he shattered racial barriers.
It's easy to get sidetracked with technology, and that is the danger, but ultimately you have to see what works with the music and what doesn't. In a lot of cases, less is more. In most cases, less is more.
Orchestras are like people. They're the sonic embodiment of their community.
I remember Elvis as a young man hanging around the Sun Studios. Even then, I knew this kid had a tremendous talent. He was a dynamic young boy. His phraseology, his way of looking at a song, was as unique as Sinatra's. I was a tremendous fan, and had Elvis lived, there would have been no end to his inventiveness.
Subscribe for the occasional hand-picked quote. No noise.