That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity – that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
Charles BaudelaireRead
All forms of beauty, like all possible phenomena, contain an element of the eternal and an element of the transitory - of the absolute and of the particular. Absolute and eternal beauty does not exist, or rather it is only an abstraction creamed from the general surface of different beauties. The particular element in each manifestation comes from the emotions: and just as we have our own particular emotions, so we have our own beauty.
Interpretation
Beauty is a blend of eternal and fleeting elements, shaped by personal emotions.
In this quote, Charles Baudelaire reflects on the nature of beauty, suggesting that it is not a singular, absolute concept but rather a complex interplay of both timeless and transient qualities. He emphasizes that beauty is subjective, influenced by individual emotions and experiences, and that every manifestation of beauty is unique to the observer's feelings, thus illustrating the diversity of aesthetic appreciation across different contexts and cultures.
In practice
This quote can be shared at an art exhibition to provoke thought about the diverse perceptions of beauty.
That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity – that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.
Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness.
There is no sweeter pleasure than to surprise a man by giving him more than he hopes for.
The priest is an immense being because he makes the crowd believe astonishing things.
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
And if I would have taken lessons I probably wouldn't have done it, and what forced me to do all this weird stuff on the guitar was I couldn't afford effects pedals, I didn't have all this stuff when I was a kid so I just tried to squeeze all the weird noises I could out of the guitar, which brings me to building guitars.
I think you just have to be yourself instead of catering your sound to a specific audience, make the music you want to make, and the audience will find you.
I just absolutely needed the theatre so desperately - it was my fate; it was where I was running towards. It was the place where I found peace and survival and all kinds of things.
I'll never get bored of seeing flawed women on the screen.
I often feel like a nutty professor, like I'm going to try this experiment and see if it works. My hypothesis is, people in the West can absorb African women stories without any shaken or stirred mixer. It can come directly from the source.
Blue has no dimensions, it is beyond dimensions, whereas the other colours are not....All colours arouse specific associative ideas, psychologically material or tangible, while blue suggests at most the sea and sky, and they, after all, are in actual, visible nature what is most abstract.
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