Your demons will cause your angels to sing. Use the pain as fuel.
August WilsonRead
What comes forth from you as an artist cannot be controlled. But you have responsibilities as a global citizen. Your history dictates your duty. And by writing about black people, you are not limiting yourself. The experiences of African-Americans are as wide open as God's closet.
Interpretation
Artistic expression is deeply influenced by one's identity and history, and artists have a duty to address broader societal issues.
August Wilson emphasizes that the creative expression of an artist is a natural, uncontrollable process shaped by their personal history and responsibility within the global community. He argues that writing about the experiences of African-Americans offers limitless possibilities, challenging the notion that such themes constrain an artist's work; rather, they enrich and expand the narrative landscape, as vast as the divine imagination itself.
In practice
This quote is perfect for an art exhibition focused on social justice themes.
Your demons will cause your angels to sing. Use the pain as fuel.
I think the blues is the best literature that we as blacks have created since we've been here. I call it our 'sacred book.' What I've attempted to do is to mine that field, to mine those cultural ideas and attitudes and give them to my characters.
All you need in the world is love and laughter. That's all anybody needs. To have love in one hand and laughter in the other.
I do - very specifically, I remember Bessie Smith; I used to collect 78 records that I would buy from the St Vincent de Paul store at five cents apiece, and I did this indiscriminately. I would just take whatever was there. And I listened to Patti Page and Walter Huston, 'September Song.'
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.
When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking.
When I made my first film, I think the thing was probably helped me the most was that it was such an unusual thing to do in the early 50s for someone who actually go and make a film. People thought it was impossible. It really is terribly easy. All anybody needs is a camera, a tape recorder, and some imagination.
Even when poetry has a meaning, as it usually has, it may be inadvisable to draw it out. Perfect understanding will sometimes almost extinguish pleasure.
There's nothing prettier in the world than a melody. I can get lost in a song with a melody. A lot of times I have, and the song wasn't that good, but I would get lost in that melody, and I'd want to do the song.
So many cartoonists draw the same year after year. When they find a style, they stick with it. They don't mess with innovation, and they become boring.
When we free ourselves we are not freed into a void. When we free ourselves we are freed into a dimension in which Art is an obligation.
The essential thing is to spring forth, to express the bolt of lightning one senses upon contact with a thing. The function of the artist is not to translate an observation but to express the shock of the object on his nature; the shock, with the original reaction.
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