They're ugly, but those are the facts of life.
Harper LeeRead
She knew full well the enormity of her offense, but because her desires were stronger than the code she was breaking, she persisted in breaking it.
Interpretation
The quote illustrates the struggle between personal desires and moral codes.
In this quote, Harper Lee reflects on the conflict that arises when an individual's desires overpower their understanding of ethical boundaries. It emphasizes the complexity of human nature, where the pursuit of personal needs and wants can lead individuals to knowingly transgress societal or moral standards, highlighting a deep inner turmoil between desire and responsibility.
In practice
In a discussion about ethics and decision-making, you can use this quote to illustrate the tension between personal desires and moral obligations.
They're ugly, but those are the facts of life.
It's better to be silent than to be a fool.
Don’t talk like that, Dill,” said Aunt Alexandra. “It’s not becoming to a child. It’s – cynical.” “I ain’t cynical, Miss Alexandra. Tellin’ the truth’s not cynical, is it?” “The way you tell it, it is.
With him, life was routine; without him, life was unbearable.
He turned out the light and went into Jem's room. He would be there all night, and he would be there when Jem waked up in the morning.
You can choose your friends but you sho' can't choose your family, an' they're still kin to you no matter whether you acknowledge 'em or not, and it makes you look right silly when you don't.
Whatever may be open to disagreement, there is one act of evil that may not, the act that no man may commit against others and no man may sanction or forgive. So long as men desire to live together, no man may initiate—do you hear me? no man may start—the use of physical force against others.
Day by day we should weigh what we have granted to the spirit of the world against what we have denied to the spirit of Jesus, in thought and especially in deed.
The Heart of the matter is Soul, nothing else.
Worth seeing, yes; but not worth going to see.
We are constantly - in order to cope with painful realities - shuffling through third-rate, half-remembered fantasies taken from movies, from TV, from people we admire. We do this individually, we do it collectively - we tell stories to escape our most painful truths.
Every emotion is keyed into some bodily location, and taken all together, they form the emotional body.
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