And I couldn't make fun of her for that dream. It was my dream, too. And Indian boys weren't supposed to dream like that. And white girls from small towns weren't supposed to dream big, either. We were supposed to be happy with our limitations. But there was no way Penelope and I were going to sit still. Nope, we both wanted to fly.
Interpretation
This quote emphasizes the desire to break free from societal limitations and to pursue one's dreams regardless of cultural expectations.
Sherman Alexie reflects on the shared dreams of two individuals from different backgrounds who feel constrained by societal norms. Despite the expectations placed upon them due to their identities, both characters long for more than what is traditionally allowed, highlighting the courage to aspire for greater achievements in life. The quote serves as a call for breaking away from imposed limitations and embracing one’s dreams, no matter how unconventional they may seem.
In practice
Use this quote in a graduation speech to inspire students to pursue their dreams despite challenges.
Gordie, the white boy genius, gave me this book by a Russian dude named Tolstoy, who wrote, 'Happy families are all alike; every unhappy family is unhappy in its own way.' Well, I hate to argue with a Russian genius, but Tolstoy didn't know Indians, and he didn't know that all Indian families are unhappy for the same exact reasons: the frikkin' booze.
My wife was the first romantic partner who understood both American and native parts of me - not so much the positive stuff, but the damage.
I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
We all have to find our own ways to say good-bye.
I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don't write to protect them. It's far too late for that. I write to give them weapons-in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.
A lot of people have no idea that right now Y.A. (young adult). is the Garden of Eden of literature.
Too many athletes are living in a tiny window. They have no vision for themselves - what they can be outside of football and what they can mean to a community. They just don't know any better. My hopes and dreams are unlimited.
I want to think again of dangerous and noble things. I want to be light and frolicsome. I want to be improbable and beautiful and afraid of nothing as though I had wings.
When I joined 'Essence,' I was a young, single mother. I was 24. I hadn't gone to college. I wasn't making any money at 'Essence' - what was it, $500 a month - and I was struggling. So I was always looking down the road, always hoping for a better, you know, tomorrow.
Hope is what you get when you suddenly realize that a different worldview is possible, a worldview in which the rich, the powerful, and the unscrupulous do not after all have the last word. The same worldview shift that is demanded by the resurrection of Jesus is the shift that will enable us to transform the world.
Our greatness has always come from people who expect nothing and take nothing for granted - folks who work hard for what they have, then reach back and help others after them.
That's my mission: I really want to get in the heads and hearts of kids and persuade them that they can believe things they haven't seen, they can do things that maybe others haven't done before them, that they are more than their worst acts.
Subscribe for the occasional hand-picked quote. No noise.