I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
Interpretation
Art transcends language barriers, allowing universal understanding through visual representation.
This quote by Sherman Alexie emphasizes the power of visual art over spoken or written language in conveying meaning. It highlights the limitations of words in expressing ideas that can be universally understood, asserting that images and drawings can communicate concepts to all people, regardless of their linguistic background.
In practice
During a presentation on art therapy, I might use this quote to illustrate the significance of visual expression.
Gordie, the white boy genius, gave me this book by a Russian dude named Tolstoy, who wrote, 'Happy families are all alike; every unhappy family is unhappy in its own way.' Well, I hate to argue with a Russian genius, but Tolstoy didn't know Indians, and he didn't know that all Indian families are unhappy for the same exact reasons: the frikkin' booze.
My wife was the first romantic partner who understood both American and native parts of me - not so much the positive stuff, but the damage.
We all have to find our own ways to say good-bye.
I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don't write to protect them. It's far too late for that. I write to give them weapons-in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.
A lot of people have no idea that right now Y.A. (young adult). is the Garden of Eden of literature.
I was studying the sky like I was an astronomer, except it was daytime and I didn't have a telescope, so I was just an idiot.
The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it.
When I stand before a canvas, I never know what I'll do, and I am the first one surprised at what comes out.
They seemed to forget that the increase of known truths stimulates the investigation, establishment and growth of the arts; not their dimination or destruction.
The modern artist must live by craft and violence. His gods are violent gods. Those artists, so called, whose work does not show this strife, are uninteresting.
I can't think of anything more rewarding than being able to express yourself to others through painting. Exercising the imagination, experimenting with talents, being creative; these things, to me, are truly the windows to your soul.
What we [writers] do might be done in solitude and with great desperation, but it tends to produce exactly the opposite. It tends to produce community and in many people hope and joy.
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