Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.
Interpretation
Literary works are fundamentally different from industrial processes and are influenced by social context and purpose.
Bertolt Brecht emphasizes that literature is not merely a product to be mass-produced but instead is a complex form of expression deeply rooted in the specific historical, social, and political contexts of its creation. The quote underscores the idea that the meaning and impact of realistic writing depend on the audience it serves and the circumstances under which it is produced, challenging the notion of treating literary works like interchangeable industrial goods.
In practice
During a lecture on the importance of social context in literature, one might use this quote to illustrate how socio-economic factors influence literary creation.
The shrill voices of those who give orders Are full of fear like the squeakings of Piglets awaiting the butcher's knife, as their fat arses Sweat with anxiety in their office chairs.... Fear rules not only those who are ruled, but The rulers too.
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
We attacked a foreign people and treated them like rebels. As you know, it's all right to treat barbarians barbarically. It's the desire to be barbaric that makes governments call their enemies barbarians.
War is like love, it always finds a way.
Art is not a mirror held up to reality but a hammer with which to shape it.
Recently my fingers have developed a prejudice against comparatives. They all follow this pattern: a squirrel is smaller than a tree; a bird is more musical than a tree. Each of us is the strongest one in his or her own skin. Characteristics should take off their hats to one another, instead of spitting in each other's faces.
Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe.
I think having land and not ruining it is the most beautiful art that anybody could ever want to own.
Everyone who gave me food, who took away my hunger, inspired me to compose. They told me their stories, and I had no other way to console them than with a piece of music, and that is how I learned. I did not resolve their problems with my songs, but I created a moment of release.
Make something, a kind of object, which as it changes or falls apart (dies as it were) or increases in its parts (grows as it were) offers no clue as to what its state or form or nature was at any previous time. Physical and Metaphysical. Obstinacy. Could this be a useful object?
I call architecture frozen music.
I know this is going to sound very self-serving, and I apologize for it, but if you can write comedy, you can pretty much write anything, because it's the hardest. It's the most technically demanding, the most precisely evaluated form of writing. People know if it works or not. There's a big button marked 'fail,' and that's when nobody laughs.
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