I wanted to deal with light directly rather than with paint.
James TurrellRead
Generally, we use light to illuminate other things. I like the thingness, the materiality of light itself. So it feels like it's occupying the space, making a plane, being something that was there, not just passing through. Because light is just passing through. I make these spaces that seem to arrest it for our perception.
Interpretation
This quote emphasizes the intrinsic nature of light and how it can create a physical presence in art.
James Turrell explores the concept of light not merely as a tool for illumination but as a tangible entity that occupies space and influences our perception. He suggests that through his work, he aims to create environments where light is not just transient but becomes a permanent, observable element that can be experienced differently, allowing viewers to engage with it on a deeper level.
In practice
During an art exhibition, you might use this quote to explain the concept behind your installation.
I wanted to deal with light directly rather than with paint.
It is only when light is reduced that the pupil opens and feeling goes out of the eyes like touch.
I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.
In many cases, if we knew what it would take, we might have thought twice about it, so it's often wonderful that we don't have hindsight.
There are different stages when you fly. The first stage is the dollhouse effect, seeing everything on Earth like it's a model. Suddenly, all of your concerns seem very small.
Space has a way of looking. It seems like it has a presence of vision. When you come into it, it is there, it’s been waiting for you.
If the script's good, everything you need is in there. I just try and feel it, and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorizing rather than being real. Maybe every other actor would think that was terrible, I don't know. But it seems to have worked for me, so far.
A strange thing has happened - while all the other arts were born naked, this, the youngest, has been born fully-clothed. It can say everything before it has anything to say. It is as if the savage tribe, instead of finding two bars of iron to play with, had found scattering the seashore fiddles, flutes, saxophones, trumpets, grand pianos by Erhard and Bechstein, and had begun with incredible energy, but without knowing a note of music, to hammer and thump upon them all at the same time.
I would never want to live anywhere but Baltimore. You can look far and wide, but you'll never discover a stranger city with such extreme style. It's as if every eccentric in the South decided to move north, ran out of gas in Baltimore, and decided to stay.
Conflict and character are the heart of good fiction, and good mystery has both of those in spades.
Songs don't have to be about going out on Saturday night and having a good rink-up and driving home and crashing cars. A lot of what I've done is about alienation... about where you fit in society.
There is an audience out there for literate films - slower, more observant, more human films, and they deserve to be made.
Subscribe for the occasional hand-picked quote. No noise.