The giant white cube is now impeding rather than enhancing the rhythms of art. It preprograms a viewer's journey, shifts the emphasis from process to product, and lacks individuality and openness. It's not that art should be seen only in rutty bombed-out environments, but it should seem alive.
Interpretation
The quote critiques the limitations imposed by conventional art spaces on the experience of art and its appreciation.
Jerry Saltz argues that the contemporary art environment, symbolized by the 'giant white cube', restricts the viewer's engagement with art by following a predetermined path, thus prioritizing the final product over the experience of creation. He emphasizes the need for art to feel dynamic and vibrant, suggesting that it should be experienced in a context that reflects life and creativity, rather than being confined to sterile, uninspiring settings.
In practice
This quote could be used in an art critique discussing modern art galleries.
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.
Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.
I have a soft spot for art that, in terms of subject matter and material, is in bad taste.
In art, scandal is a false narrative, a smoke screen that camouflages rather than reveals. When we don't know what we're seeing, we overreact.
I don't often go to curator or artist walk-throughs of exhibitions. For a critic, it feels like cheating. I want to see shows with my own eyes, making my own mistakes, viewing exhibitions the way most of their audience sees them.
Don’t go to a museum with a destination. Museums are wormholes to other worlds. There are ecstasy machines. Follow your eyes to wherever they lead you, stop, get very quiet, and the world should begin to change for you. And if you see me, say something! We can talk about it together.
People love mystery, and that is why they love my paintings.
I still consider myself to be introverted, but everyone has a side of themselves that is amplified. Performers have to learn to tap into that, even if it's not natural.
Say anything you want against The Seventh Seal. My fear of death - this infantile fixation of mine - was, at that moment, overwhelming. I felt myself in contact with death day and night, and my fear was tremendous. When I finished the picture, my fear went away. I have the feeling simply of having painted a canvas in an enormous hurry - with enormous pretension but without any arrogance. I said, 'Here is a painting; take it, please.'
It is really so nice here-country-busy-busy with so many different kinds of things-... I must say I feel far away in another world here-... always we go to a new place...the people have a kind of gentleness that isn't usual on the mainland.
"The work of art must seize upon you...carry you away."
The difference between noise and music is in what the musician does with the sounds.
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