Somewhere along the line a convention developed that the opening of a film was just a laundry list of credits. There was no incentive to complicate an area that was settled.
Saul BassRead
My work on titles was a marvelous opportunity to learn about filmmaking. I think I touched on just about every aspect of the process, both creative and technical. And I worked with many wonderful people.
Interpretation
Saul Bass reflects on his experiences in filmmaking, highlighting the importance of learning and collaboration.
In this quote, Saul Bass expresses gratitude for the learning opportunities he encountered while working on film titles. He emphasizes the multifaceted nature of filmmaking, which encompasses both creative and technical elements, and acknowledges the valuable relationships he formed with others in the industry.
In practice
During a film industry seminar to highlight the importance of learning from experience.
Somewhere along the line a convention developed that the opening of a film was just a laundry list of credits. There was no incentive to complicate an area that was settled.
In the course of our daily lives, we're bombarded with a barrage of visual messages, some blatantly aggressive, some subtle. The trick is to find a way to break through without adding to the clutter and the ugliness. We have to be responsible about that.
My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.
I want to make beautiful things, even if nobody cares.
Logos are a graphic extension of the internal realities of a company.
When I provided the disembodied arm as the logo for 'The Man With the Golden Arm,' it was the first time an advertising-publicity campaign was based on a single symbol. Until then film companies used a variety of symbols and photographs to cover all bets. The concept of using one logo was mine and Otto Preminger's.
A nation devoid of art and artists cannot have a full existence.
The artist must forget the audience, _x000D_ forget the critics, forget the technique, forget everything but love for the music._x000D_ Then, the music speaks through the performance,_x000D_ and the performer and the listener will walk together_x000D_ with the soul of the composer, and with_x000D_ God.
It hinders the creative work of the mind if the intellect examines too closely the ideas as they pour in.
There are elements of me in the roles I've played in the past. But people forget that Mary Poppins was just a role, too.
Film editing is now something almost everyone can do at a simple level and enjoy it, but to take it to a higher level requires the same dedication and persistence that any art form does.
The drawings don't start with 'a beautiful mark'. It has to be a mark of something out there in the world. It doesn't have to be an accurate drawing, but it has to stand for an observation, not something that is abstract, like an emotion.
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