Somewhere along the line a convention developed that the opening of a film was just a laundry list of credits. There was no incentive to complicate an area that was settled.
Saul BassRead
My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.
Interpretation
A title can evoke emotions and set the tone for a film's story.
Saul Bass emphasizes the significant role of a title in filmmaking, suggesting that it goes beyond mere nomenclature; it acts as a conditioning tool that prepares the audience emotionally for the experience they are about to have. By using metaphorical language, a title can encapsulate the essence of the story and create an initial emotional connection, enriching the viewer's engagement once the film starts.
In practice
In a film studies class when discussing the importance of effective titles.
Somewhere along the line a convention developed that the opening of a film was just a laundry list of credits. There was no incentive to complicate an area that was settled.
In the course of our daily lives, we're bombarded with a barrage of visual messages, some blatantly aggressive, some subtle. The trick is to find a way to break through without adding to the clutter and the ugliness. We have to be responsible about that.
I want to make beautiful things, even if nobody cares.
Logos are a graphic extension of the internal realities of a company.
My work on titles was a marvelous opportunity to learn about filmmaking. I think I touched on just about every aspect of the process, both creative and technical. And I worked with many wonderful people.
When I provided the disembodied arm as the logo for 'The Man With the Golden Arm,' it was the first time an advertising-publicity campaign was based on a single symbol. Until then film companies used a variety of symbols and photographs to cover all bets. The concept of using one logo was mine and Otto Preminger's.
Basically, you make another movie, and another, and hopefully you feel good about every picture you make. And you say, 'My name is on that. I did that. It's OK.' But don't get me wrong, I still get excited by it all. That, I hope, will never disappear.
The whole problem can be stated quite simply by asking "Is there a meaning to music?" My answer would be, "Yes", And "Can you state in so many words what the meaning is?" My answer to that would be "No."
I sure lost my musical direction in Hollywood. My songs were the same conveyer belt mass production, just like most of my movies were.
Art is enchantment and artists have the right of spells.
I carry my thoughts about me for a long time, often a very long time, before I write them down; meanwhile my memory is so faithful that I am sure never to forget, not even in years, a theme that has once occurred to me.
Every man, and for stronger reasons, every artist, wants to be recognized. So do I.
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