I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
Andy WarholRead
I know a girl who just looks at her face in the medicine cabinet mirror and never looks below her shoulders, and she's four or five hundred pounds but she doesn't see all that, she just sees a beautiful face and therefore she thinks she's a beauty. And therefore, I think she's a beauty, too, because I usually accept people on the basis of their self-images, because their self-images have more to do with the way they think than their objective-images do.
Interpretation
The quote emphasizes the importance of self-image over physical appearance, suggesting that how one sees themselves can influence others' perceptions.
Andy Warhol highlights the profound impact of self-image on personal beauty. He observes a girl who focuses solely on her face and perceives herself as beautiful despite her weight. Warhol suggests that this self-perception shapes not only her reality but also influences how others view her. Essentially, he asserts that beauty is often a reflection of one's confidence and self-acceptance rather than merely an objective standard.
In practice
During a beauty seminar discussing self-acceptance and confidence.
I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
Fantasy love is much better than reality love. Never doing it is very exciting. The most exciting attractions are between two opposites that never meet.
I love Los Angeles. I love Hollywood. They're beautiful. Everybody's plastic, but I love plastic. I want to be plastic.
Being good in business is the most fascinating kind of art
I never wanted to be a painter; I wanted to be a tap dancer.
I like to be the right thing in the wrong space and the wrong thing in the right space. But usually being the right thing in the wrong space and the wrong thing in the right space is worth it, because something funny always happens.
That you will feel the validation of your external beauty but also get to the deeper business of being beautiful inside. There is no shade in that beauty.
I realized that beauty was not a thing that I could acquire or consume, it was something that I just had to be.
I didn't want to create a makeup line for one ethnic group; it had to be multi-ethnic. To me, beauty is beauty. It doesn't matter to me what colour the skin is.
For me, true beauty has nothing to do with wrinkles and everything to do with the fact that my maternal grandmother raised five children just after the war and remained a fighter throughout her life. True beauty is the slick of red lipstick my paternal grandmother would put on before going to church on Sunday.
Beauty is how you feel inside, and it reflects in your eyes. It is not something physical.
I can't tell you how many doctors try to sell me a facelift. I've even gone as far as having someone talk me into it, but when I went over and looked at pictures of myself, I thought 'What are they going to lift?' . . Frankly, I think that in the art of aging well there's this sexuality to having those imperfections. It's sensual.
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