As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
A golden mind stoops not to shows of dross.
Interpretation
A wise person doesn't lower themselves to engage in trivial or worthless matters.
This quote by Shakespeare emphasizes the value of maintaining a high standard of thought and action. A 'golden mind' represents someone with true wisdom and insight, while 'shows of dross' refers to superficial or materialistic distractions. Essentially, the quote suggests that those who are truly wise will not waste their time or energy on things that lack substance or meaning.
In practice
In a motivational speech about focusing on what truly matters in life.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
Unhappy is the fate of one who tries to win his battles and succeed in his attacks without cultivating the spirit of enterprise, for the result is waste of time and general stagnation.
You have a conscience, and a conscience is a valuable attribute, but not if it begins to make you think you were to blame for what is far beyond the scope of your responsibility.
It is not the desire of new acquisitions, but the glory of conquests, that fires the soldier's breast; as indeed the town is seldom worth much, when it has suffered the devastations of a siege.
At last I understood that the way over, or through this dilemma, the unease at writing about 'petty personal problems' was to recognize that nothing is personal, in the sense that it is uniquely one's own. Writing about oneself, one is writing about others, since your problems, pains, pleasures, emotions—and your extraordinary and remarkable ideas—can't be yours alone. [...] Growing up is after all only the understanding that one's unique and incredible experience is what everyone shares.
Your character defects are not where you're bad, but where you're wounded. But no matter who or what causes the wound, it's yours now and you're responsible for it.
Once you allow yourself to identify with the people in a story, then you might begin to see yourself in that story even if on the surface it's far removed from your situation.
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