There is no feeling, except the extremes of fear and grief, that does not find relief in music.
T. S. EliotRead
Good poets borrow, great poets steal
Interpretation
Great poets take inspiration from others and transform it into something uniquely their own.
This quote by T. S. Eliot highlights the idea that while all poets draw inspiration from existing works, the truly exceptional ones go beyond mere imitation. They 'steal' ideas in the sense that they absorb and reinterpret them, creating original masterpieces that resonate with their unique voice and perspective.
In practice
In a discussion about the importance of originality in writing, one might quote T. S. Eliot to emphasize how great works are often built upon the foundations of others.
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
Half of the harm that is done in this world is due to people who want to feel important. They don't mean to do harm. But the harm does not interest them.
I am an Anglo-Catholic in religion, a classicist in literature and a royalist in politics.
If you aren't in over your head, how do you know how tall you are?
For I have known them all already, known them all— Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons.
In the faint moonlight, the grass is singing
I try to let go of the intellect and just tell the story. I only read the page I have in front of me on the screen. Then when the whole story is told, I print it, wait a week and read it.
Poetry is the journal of a sea animal living on land, wanting to fly in the air.
If we end up creating a gameplay structure where it makes sense for, whether it's a female to go rescue a male or a gay man to rescue a lesbian woman or a lesbian woman to rescue a gay man, we might take that approach.
The secret of good cooking is, first, having a love of it… If you’re convinced that cooking is drudgery, you’re never going to be good at it, and you might as well warm up something frozen.
I used to tremble from nerves so badly that the only way I could hold my head steady was to lower my chin practically to my chest and look up at Bogie. That was the beginning of The Look.
My first plays were amazingly bad, but I had a teacher who thought I had promise, and he kept working with me. I finally went to a summer workshop before my senior year with people like Sam Shepard and Maria Irene Fornes who encouraged me to write from my subconscious, and suddenly all this material about culture clash came out.
Subscribe for the occasional hand-picked quote. No noise.