This is an industry rife with racism, sexism and homophobia. It is so closely woven into the fabric of the business that we have become snowblind to the glaring injustices happening every day.
Jessica ChastainRead
I find it very interesting: when 90 percent of the critics that review films are men, how is that helpful when trying to create stories from a feminine point of view?
Interpretation
The quote highlights the gender disparity in film criticism and its impact on storytelling.
Jessica Chastain emphasizes the importance of diverse perspectives in art, particularly in film, by pointing out that a predominantly male critique can hinder the representation of stories from a feminine angle. This lack of balance not only affects the creation of narratives that resonate with women but also limits the richness of storytelling in the film industry.
In practice
In a panel discussion on film diversity, this quote can illustrate the need for inclusion.
This is an industry rife with racism, sexism and homophobia. It is so closely woven into the fabric of the business that we have become snowblind to the glaring injustices happening every day.
I just want to see more women in film and behind the camera. I'm tired of seeing movies from one perspective.
We know in our society, women are valued for their sexual desirability and not necessarily for what they have to say.
It's tough, acting. You have to walk two lines of a tightrope. There's the all-consuming fear of failure: I'm about to fall flat on my face. There's that and there's also confidence - you have to be confident in order to try things - and they fight each other all the time.
I'm not taking jobs anymore where I'm getting paid a quarter of what the male co-star is being paid. I'm not allowing that in my life.
It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
if you are not allowed to touch the heart sometimes in spite of syntax, and are not to be loved until you all know the difference between trimeter and trameter, may all Poetry go to the deuce, and every schoolmaster perish miserably!
The larger-than-life thing is definitely what I'm after. I've always drawn dark stories. Occasionally, I'll try a perfect hero, but it's a real stretch for me. I like 'em warts and all, and obsessive and weird.
It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.
I find it relatively easy to keep my clothes on because I don't really feel like taking them off. It's not an urge I have. For me, 'risky' is revealing what really happened in my life through music. Risky is writing confessional songs and telling the true story about a person with enough details so everyone knows who that person is. That's putting myself out there, maybe even more than taking my shirt off.
For me the initial delight is in the surprise of remembering something I didn't know I knew. I have never started a poem yet whose end I knew.
I don't believe that clothes can start a revolution, but I do believe that fashion is often a manifestation of a sociological or political climate.
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