I've always wanted to be aware of what's going on around me, and I've wanted to use photography as an instrument of research into and reporting on the life of my own time.
Paul StrandRead
It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.
Interpretation
The quote emphasizes the importance of capturing the essence of humanity in photography, rather than just taking pictures of people.
Paul Strand's quote highlights the distinction between merely taking photographs of individuals and truly engaging the viewer by showcasing the depth of their humanity. This suggests that a successful photograph goes beyond surface appearances; it resonates emotionally and allows others to empathize with the subjects, fostering a genuine connection between the viewer and the subject matter.
In practice
In a photography exhibit discussing the stories behind the images on display.
I've always wanted to be aware of what's going on around me, and I've wanted to use photography as an instrument of research into and reporting on the life of my own time.
The photographer's problem is to see clearly the limitations and at the same time the potential qualities of his medium, for it is precisely here that honesty no less than intensity of vision is the pre-requisite of a living expression. The fullest realization of this is accomplished without tricks of process or manipulation, through the use of straight photographic methods.
No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.
I like to photograph people who have strength and dignity in their faces. Whatever life has done to them, it hasnβt destroyed them.
It is easy to make a picture of someone and call it a portrait. The difficulty lies in making a picture that makes the viewer care about a stranger.
The portrait of a person is one of the most difficult things to do. It means you must almost bring the presence of that person photographed to other people in such a way that they don't have to know that person personally, but that they are still confronted with a human being that they won't forget. That's a portrait.
That strain again! It had a dying fall: _x000D_ _x000D_ O, it came o'er my ear like the sweet sound _x000D_ _x000D_ That breathes upon a bank of violets, _x000D_ _x000D_ Stealing and giving odour! Enough; no more: _x000D_ _x000D_ 'Tis not so sweet as it was before.
Dill was off again. Beautiful things floated around in his dreamy head. He could read two books to my one, but he preferred the magic of his own inventions. He could add and subtract faster than lightning, but he preferred his own twilight world, a world where babies slept, waiting to be gathered like morning lilies.
The vast majority of writers out there, they finish their books and no one cares whether their book is late or ever comes out at all. And then it comes out and two reviews are published and it sells 12 copies.
Go play with the towns you have built of blocks, The towns where you would have bound me! I sleep in my earth like a tired fox, And my bufdfalo have found me.
And that's the soulful thing about playing: you offer something to somebody. You don't know if they'll like it, but you offer it.
In the world of musical theatre, if everyone says it's a good idea, you wonder why nobody has done it before.
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