I've always wanted to be aware of what's going on around me, and I've wanted to use photography as an instrument of research into and reporting on the life of my own time.
Paul StrandRead
No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.
Interpretation
The way we perceive and interpret the world limits the expression of our ideas.
This quote by Paul Strand emphasizes that our understanding and representation of reality are constrained by our perceptions and the tools we use. Regardless of the methods or mediums at our disposal, the essence of what we can convey is ultimately defined by what we are able to observe and comprehend.
In practice
In a photography workshop, to illustrate artistic perception.
I've always wanted to be aware of what's going on around me, and I've wanted to use photography as an instrument of research into and reporting on the life of my own time.
The photographer's problem is to see clearly the limitations and at the same time the potential qualities of his medium, for it is precisely here that honesty no less than intensity of vision is the pre-requisite of a living expression. The fullest realization of this is accomplished without tricks of process or manipulation, through the use of straight photographic methods.
It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.
I like to photograph people who have strength and dignity in their faces. Whatever life has done to them, it hasn’t destroyed them.
It is easy to make a picture of someone and call it a portrait. The difficulty lies in making a picture that makes the viewer care about a stranger.
The portrait of a person is one of the most difficult things to do. It means you must almost bring the presence of that person photographed to other people in such a way that they don't have to know that person personally, but that they are still confronted with a human being that they won't forget. That's a portrait.
At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.
We recognize that there are no trivial occurrences in life if we get the right focus on them.
Living in a society, instead of on a desert island, does not relieve a man of the responsibility of supporting his own life.
In practical life we are compelled to follow what is most probable ; in speculative thought we are compelled to follow truth.
Man is now able to soar into outer space and reach up to the moon; but he is not moral enough to live at peace with his neighbor!
Underlying the whole scheme of civilization is the confidence men have in each other, confidence in their integrity, confidence in their honesty, confidence in their future.
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