I've always wanted to be aware of what's going on around me, and I've wanted to use photography as an instrument of research into and reporting on the life of my own time.
Interpretation
Photography is a tool for understanding the world and documenting one's era.
In this quote, Paul Strand expresses his desire to remain vigilant and engaged with the world around him. He views photography not merely as a means of artistic expression, but as a method of investigation and a way to chronicle the social and cultural dynamics of his time, emphasizing the importance of being aware and reflective in the creative process.
In practice
In a photography workshop, I shared this quote to inspire participants to be more observant.
The photographer's problem is to see clearly the limitations and at the same time the potential qualities of his medium, for it is precisely here that honesty no less than intensity of vision is the pre-requisite of a living expression. The fullest realization of this is accomplished without tricks of process or manipulation, through the use of straight photographic methods.
No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.
It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.
I like to photograph people who have strength and dignity in their faces. Whatever life has done to them, it hasn’t destroyed them.
It is easy to make a picture of someone and call it a portrait. The difficulty lies in making a picture that makes the viewer care about a stranger.
The portrait of a person is one of the most difficult things to do. It means you must almost bring the presence of that person photographed to other people in such a way that they don't have to know that person personally, but that they are still confronted with a human being that they won't forget. That's a portrait.
To be an artist, you need to exist in a world of silence.
Don't worry about how pretty (the story) sounds, how lilting it is, and the imagery, and the metaphor, all that. Most readers don't care. It's the people in your book that matter.
When I was seven or eight years old, I began to read the science-fiction magazines that were brought by guests into my grandparents' boarding house in Waukegan, Illinois. Those were the years when Hugo Gernsback was publishing 'Amazing Stories,' with vivid, appallingly imaginative cover paintings that fed my hungry imagination.
Prose is admittedly an art rooted in social intercourse, and a fiction writer is faster to find a common denominator with his cell mates than a poet is.
I'd like to be remembered as a premier singer of songs, not just a popular act of a given period.
In creating the silkpunk aesthetic, I was influenced by the ideas of W. Brian Arthur, who articulates a vision of technology as a language.
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