I get to use fiction as a way to work out my thinking and to delight readers in the process. I can't think of any deal that's better for me, and I'm always so grateful that readers have indulged me as I argue with myself in my stories.
Ken LiuRead
In creating the silkpunk aesthetic, I was influenced by the ideas of W. Brian Arthur, who articulates a vision of technology as a language.
Interpretation
The silkpunk aesthetic blends art and technology, viewing tech as a form of expression.
Ken Liu's quote reflects his inspiration from W. Brian Arthur's perspective that technology can be perceived as a language. The silkpunk aesthetic he creates is an artistic expression that intertwines traditional values and contemporary technologies, showcasing the beauty and function of technological innovation as a form of communication and cultural identity.
In practice
During a presentation about cultural integration, you could quote this to highlight the intersection of technology and art.
I get to use fiction as a way to work out my thinking and to delight readers in the process. I can't think of any deal that's better for me, and I'm always so grateful that readers have indulged me as I argue with myself in my stories.
As a species, we tend to live in environments where our own artifacts dominate. The way we shape our environment and are in turn shaped by it is a key theme in my fiction - indeed, it's a key part of a great deal of science fiction.
There are so many different narrative traditions across the world, and each of those traditions has evolved dramatically over time. Once I understood that, I felt truly free; I could write and invent the way I wanted to because there never has been only one way to tell a good story.
The truth is not delicate and it does not suffer from denialβthe truth only dies when true stories are untold.
Labels like 'Chinese Science Fiction' or 'Western Science Fiction' summarize a vast field of work, all of which are diverse and driven by individual authors, with individual concerns.
I think that what's unique about sci-fi - at least from the view of a lot of Chinese writers - is that sci-fi is least-rooted in the particular culture that they're writing from.
It's much more fun to play something you're nothing like than what you are... It's much easier to hide yourself in a character.
As a novelist, where do you go to tap into memories, and impressions, and sensations? It's usually, in my experience, your early life, before you started thinking of yourself as a writer, because somehow those experiences are unadulterated.
Design without discipline is anarchy, an exercise of irresponsibilit y.
I'll never get bored of seeing flawed women on the screen.
A great emotion is too selfish ; it takes into itself all the blood of the spirit, and the congestion leaves the hands too cold to write. Three sorts of emotion produce great poetry - strong but quick emotions, seized upon for art as soon as they have passed, but not before they have passed ; strong and deep emotions in their remembrance along time after ; and false emotions, that is to say, emotions felt in the intellect. Not insincerity, but a translated sincerity, is the basis of all art.
With their souls of patent leather, they come down the road. Hunched and nocturnal, where they breathe they impose, silence of dark rubber, and fear of fine sand.
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