As a species, we tend to live in environments where our own artifacts dominate. The way we shape our environment and are in turn shaped by it is a key theme in my fiction - indeed, it's a key part of a great deal of science fiction.
Ken LiuRead
I get to use fiction as a way to work out my thinking and to delight readers in the process. I can't think of any deal that's better for me, and I'm always so grateful that readers have indulged me as I argue with myself in my stories.
Interpretation
The quote expresses the joy of using fiction to clarify thoughts while delighting readers.
In this quote, Ken Liu reflects on the dual purpose of writing fiction: it serves as a medium for the author to explore their own thoughts and arguments, while also providing enjoyment and engagement for the readers. Liu conveys a deep sense of gratitude for the opportunity to share his inner dialogue through storytelling, highlighting the unique relationship between the writer and the audience in the creative process.
In practice
An author could use this quote in a speech about the significance of storytelling in their writing process.
As a species, we tend to live in environments where our own artifacts dominate. The way we shape our environment and are in turn shaped by it is a key theme in my fiction - indeed, it's a key part of a great deal of science fiction.
In creating the silkpunk aesthetic, I was influenced by the ideas of W. Brian Arthur, who articulates a vision of technology as a language.
There are so many different narrative traditions across the world, and each of those traditions has evolved dramatically over time. Once I understood that, I felt truly free; I could write and invent the way I wanted to because there never has been only one way to tell a good story.
The truth is not delicate and it does not suffer from denial—the truth only dies when true stories are untold.
Labels like 'Chinese Science Fiction' or 'Western Science Fiction' summarize a vast field of work, all of which are diverse and driven by individual authors, with individual concerns.
I think that what's unique about sci-fi - at least from the view of a lot of Chinese writers - is that sci-fi is least-rooted in the particular culture that they're writing from.
The Heavenly Spheres make music for us,_x000D_ The Holy Twelve dance with us,_x000D_ All things join in the dance!_x000D_ Ye who dance not, know not what we are knowing.
One of my big fears is people saying my songs are all starting to sound the same.
And your eyes must do some raining if you're ever gonna grow / When crying don't help, you can't compose yourself / It's best to compose a poem, an honest verse of longing / Or a simple song of hope.
They'll sell you thousands of greens. Veronese green and emerald green and cadmium green and any sort of green you like; but that particular green, never.
Under fun's new administration, writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don't want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers share and respond to, feel.
The proliferation of styles, genres, and media need not be the death knell of anything. Instead, it's a sign that our acceptance for variation and experimentation has become wider, our interests have become more diverse, and our appetites have become more omnivorous.
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