I wanted to deal with light directly rather than with paint.
James TurrellRead
I feel that buildings often have a workaday aspect that you see during the daylight hours, and a more resplendent side that emerges after dark.
Interpretation
Buildings have a dual nature, appearing mundane by day and beautiful at night.
James Turrell's quote highlights the contrasting perceptions of buildings based on the time of day. During daylight, structures may seem ordinary and functional, serving their practical purpose, but as night falls, special lighting and atmospheric conditions can transform them into stunning visuals, evoking emotions and deeper appreciation in observers.
In practice
In a speech about urban development, one might use this quote to emphasize the aesthetic importance of architecture after dark.
I wanted to deal with light directly rather than with paint.
It is only when light is reduced that the pupil opens and feeling goes out of the eyes like touch.
I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.
In many cases, if we knew what it would take, we might have thought twice about it, so it's often wonderful that we don't have hindsight.
There are different stages when you fly. The first stage is the dollhouse effect, seeing everything on Earth like it's a model. Suddenly, all of your concerns seem very small.
Space has a way of looking. It seems like it has a presence of vision. When you come into it, it is there, itβs been waiting for you.
I've known since I was five that I wanted to be a writer.
[on BBC's Sherlock] It's a rare challenge, both for the audience and an actor, to take part in something with this level of intelligence and wit. You have to really enjoy it. It's a form of mental and physical gymnastics.
A man should dress in a way that you don't notice. He looks good and you don't know why. But it's the tailoring, the materials, and the clothes.
There can be no 'graduated exercises in drawing' leading up to an artistic creation. That goal can be attained only through the development of mechanical technique and through the freedom of the spirit.
The sunflower is mine, in a way.
You weren't going to the theatre to change the world, but you had a chance to affect the world, the thinking and the feelings of the world.
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