In the wintertime, in the snow country, citrus fruit was so rare, and if you got one, it was better than ambrosia.
James Earl JonesRead
You weren't going to the theatre to change the world, but you had a chance to affect the world, the thinking and the feelings of the world.
Interpretation
Art can influence thoughts and emotions without necessarily aiming for world change.
In this quote, James Earl Jones highlights the power of art, particularly theatre, to impact the audience's perceptions and emotions. While the primary goal may not be to change the world entirely, each performance has the potential to provoke thought and evoke feelings, thereby contributing to a broader cultural dialogue and personal transformation.
In practice
This quote can be used during an art seminar to emphasize the importance of artistic expression.
In the wintertime, in the snow country, citrus fruit was so rare, and if you got one, it was better than ambrosia.
More and more, when I single out the person out who inspired me most, I go back to my grandfather.
Love was just a word to me. Until you came along and gave it meaning.
The goal wasn't to be a millionaire or to be a Hollywood star. That was not the goal. The goal was something about - the goal was to find the goal, but I knew where it was.
Just so you know, there's a space that only you can fill. Just so you know, I loved you then, I guess I always will.
You sang in church, you know, and you didn't act at all. You tried not to act, you tried to tell the truth. The idea of being a troubadour on the road singing for your supper was very disturbing to him.
I always feel that a viewer has an expectation about every moment of the film and where it's going, so if I act against that, I've created a twist. In fact, it becomes a kind of game with the expectations of the viewer. This is the superficial appearance. In the layer beneath, there is a hidden theme.
Music is given to us with the sole purpose of establishing an order in things, including, and particularly, the coordination between man and time.
You don't enter the theater and pay your money to be afraid. You enter the theater and pay your money to have the fears that are already in you when you go into a theater dealt with and put into a narrative.
When I was writing my first novel, 'Where the Line Bleeds,' which had young black men as its main characters, I was very invested in telling the story and also very worried about the effects the story would have.
I'm putting out this free music, constantly putting it out.
I chose poetry. Actually, poetry chose me.
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