This is an industry rife with racism, sexism and homophobia. It is so closely woven into the fabric of the business that we have become snowblind to the glaring injustices happening every day.
Jessica ChastainRead
I just want to see more women in film and behind the camera. I'm tired of seeing movies from one perspective.
Interpretation
The quote expresses a desire for greater representation of women in the film industry.
Jessica Chastain's quote highlights the importance of diverse perspectives in storytelling, particularly in film. By advocating for more women both in front of and behind the camera, she emphasizes the need for varied voices that can enrich the cinematic experience and challenge the traditional narratives that often dominate the industry.
In practice
This quote could be used in a speech at a film festival advocating for gender equality in cinema.
This is an industry rife with racism, sexism and homophobia. It is so closely woven into the fabric of the business that we have become snowblind to the glaring injustices happening every day.
We know in our society, women are valued for their sexual desirability and not necessarily for what they have to say.
It's tough, acting. You have to walk two lines of a tightrope. There's the all-consuming fear of failure: I'm about to fall flat on my face. There's that and there's also confidence - you have to be confident in order to try things - and they fight each other all the time.
I'm not taking jobs anymore where I'm getting paid a quarter of what the male co-star is being paid. I'm not allowing that in my life.
It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
I find it very interesting: when 90 percent of the critics that review films are men, how is that helpful when trying to create stories from a feminine point of view?
I'd love to tell actors about all the things they don't need to worry about. Less is more. If you have it inside, you don't need to show too much. People pick up on things.
We must infuse our lives with art. Our national leaders must be informed that we want them to use our taxes to support street theatre in order to oppose street gangs. We should have a well-supported regional theatre in order to oppose regionalism and.
Every good writer I know needs to go into some deep, quiet place to do work that is fully imagined. And what the Internet brings is lots of vulgar data. It is the antithesis of the imagination. It leaves nothing to the imagination.
The slightest thing can ruin a scene, but you must be willing to take chances.
When I moved to New York City in 1965, I wanted to be in theater. I was following my Ethel Barrymore dream. But I was too young to be Ethel.
I think writer is a word without gender, and a good writer observes, absorbs, hopefully empathizes then translates that into character and story. You don’t have to do or be or have experienced, traveled to, but you have to imagine all of that, very well–and believe it completely during the bubble of the work.
Subscribe for the occasional hand-picked quote. No noise.