This is an industry rife with racism, sexism and homophobia. It is so closely woven into the fabric of the business that we have become snowblind to the glaring injustices happening every day.
Jessica ChastainRead
It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
Interpretation
This quote highlights the male-centric nature of Hollywood films and the lack of female perspectives in storytelling.
Jessica Chastain emphasizes the imbalance in Hollywood filmmaking, where the majority of stories are told from a male perspective, often sidelining female voices and relationships. She praises the effort of filmmaker Ned Benson to create a narrative that focuses on the female experience, highlighting the importance of diverse perspectives in cinema.
In practice
In a discussion about representation in film, this quote can be used to highlight the need for more female-driven stories.
This is an industry rife with racism, sexism and homophobia. It is so closely woven into the fabric of the business that we have become snowblind to the glaring injustices happening every day.
I just want to see more women in film and behind the camera. I'm tired of seeing movies from one perspective.
We know in our society, women are valued for their sexual desirability and not necessarily for what they have to say.
It's tough, acting. You have to walk two lines of a tightrope. There's the all-consuming fear of failure: I'm about to fall flat on my face. There's that and there's also confidence - you have to be confident in order to try things - and they fight each other all the time.
I'm not taking jobs anymore where I'm getting paid a quarter of what the male co-star is being paid. I'm not allowing that in my life.
I find it very interesting: when 90 percent of the critics that review films are men, how is that helpful when trying to create stories from a feminine point of view?
If artists and poets are unhappy, it is after all because happiness does not interest them.
Plays, especially great plays, yield their secrets over a long period of time. You can't read it three times and say, 'OK, I got it. I know what's happening.'
When I was working upon the ABC books, I wanted to show different ways that mainstream comics could viably have gone, that they didn't have to follow 'Watchmen' and the other 1980s books down this relentlessly dark route. It was never my intention to start a trend for darkness. I'm not a particularly dark individual.
Sometimes I get it right and I sometimes I get it wrong. But fashion is all about having fun. I think fashion has been hijacked by the fashion industry creating rules on what one should wear and I feel like breaking the mold and seeing that the world won’t crumble.
The best artist has that thought alone Which is contained within the marble shell; The sculptor's hand can only break the spell To free the figures slumbering in the stone.
The fundamental aspect of video is not the image, even though you can stand in amazement at what can be done electronically, how images can be manipulated and the really extraordinary creative possibilities. For me the essential basis of video is the movement - something that exists at the moment and changes in the next moment.
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