This is an industry rife with racism, sexism and homophobia. It is so closely woven into the fabric of the business that we have become snowblind to the glaring injustices happening every day.
Jessica ChastainRead
It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
Interpretation
This quote highlights the male-centric nature of Hollywood films and the lack of female perspectives in storytelling.
Jessica Chastain emphasizes the imbalance in Hollywood filmmaking, where the majority of stories are told from a male perspective, often sidelining female voices and relationships. She praises the effort of filmmaker Ned Benson to create a narrative that focuses on the female experience, highlighting the importance of diverse perspectives in cinema.
In practice
In a discussion about representation in film, this quote can be used to highlight the need for more female-driven stories.
This is an industry rife with racism, sexism and homophobia. It is so closely woven into the fabric of the business that we have become snowblind to the glaring injustices happening every day.
I just want to see more women in film and behind the camera. I'm tired of seeing movies from one perspective.
We know in our society, women are valued for their sexual desirability and not necessarily for what they have to say.
It's tough, acting. You have to walk two lines of a tightrope. There's the all-consuming fear of failure: I'm about to fall flat on my face. There's that and there's also confidence - you have to be confident in order to try things - and they fight each other all the time.
I'm not taking jobs anymore where I'm getting paid a quarter of what the male co-star is being paid. I'm not allowing that in my life.
I find it very interesting: when 90 percent of the critics that review films are men, how is that helpful when trying to create stories from a feminine point of view?
With photography, I like to create a fiction out of reality. I try and do this by taking society's natural prejudice and giving this a twist.
The radio makes hideous sounds.
I was attracted to science fiction because it was so wide open. I was able to do anything and there were no walls to hem you in and there was no human condition that you were stopped from examining.
I am just getting into Zora Neale Hurston, who is possibly a much better writer than the critics and rivals who tried to erase her from history, resulting in a life in which she worked as a maid and died in a welfare nursing home. She's clever. She does something modern to the sentence.
As the waves of perfume, heliotrope, rose, _x000D_ _x000D_ Float in the garden when no wind blows, _x000D_ _x000D_ Come to us, go from us, whence no one knows; _x000D_ _x000D_ So the old tunes float in my mind, _x000D_ _x000D_ And go from me leaving no trace behind, _x000D_ _x000D_ Like fragrance borne on the hush of the wind.
When I heard Little Richard, I mean, it just set my world on fire.
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