Why do you put your self esteem in the hands of complete strangers?
Helena Bonham CarterRead
Sometimes I get it right and I sometimes I get it wrong. But fashion is all about having fun. I think fashion has been hijacked by the fashion industry creating rules on what one should wear and I feel like breaking the mold and seeing that the world won’t crumble.
Interpretation
Fashion should be enjoyable and personal, rather than dictated by strict industry rules.
In this quote, Helena Bonham Carter emphasizes the playfulness and individual expression inherent in fashion, arguing against the rigid guidelines imposed by the fashion industry. She advocates for a more liberated approach to personal style, suggesting that breaking free from conventional norms allows for creativity and joy without the fear of negative consequences.
In practice
During a speech at a fashion event, to encourage designers to embrace creativity.
Why do you put your self esteem in the hands of complete strangers?
I just went and got an agent because I thought I can create my own world - you can't right your own life, but you can escape to a world where you can have control.
Sometimes I go, “What am I doing with my life?” But then I get letters from young women, or people come up to me, and they say, “You’ve made such a difference to my confidence.” And that is a good thing. I should read more fan mail though. I’m crap at responding.
My life had been very work-orientated, and all in close-up. Once I had the family, it went into sudden widescreen.
Very early on, you figure out that you put your self-esteem in the hands of strangers. There's a different commodity. There's the Helena Bonham Carter that everyone thinks they know, who really has nothing to do with me. But you just have to let that go.
Wear what you feel comfortable with. People say nasty things about what I wear in the street. I'm always in worst dressed lists, but you just have to dress for yourself and nobody else.
As ballerinas, we don't use our voices. Our voice is the body and the movement quality.
Gangsta Rap is dead. I've moved on. And the raps that I'm rappin to my community shouldn't be filled with rage? They shouldn't be filled with same attrocities that they gave me? The media they don't talk about it, so in my raps I have to talk about it, and it seems foreign because there's no one else talking about it.
You know what I do? I listen to other people, stumbling about with their half thoughts and half sentences and their clumsy feelings that they can't express, and it hurts me. So I go home and burnish it and polish it and weld it to a rhythmic frame, make the dull colors gleam, mute the garish artificiality to pastels, so it doesn't hurt any more: that's my poem. I know what they want to say, and I say it for them.
I think the drummer should sit back there and play some drums, and never mind about the tunes. Just get up there and wail behind whoever is sitting up there playing the solo. And this is what is lacking, definitely lacking in music today.
I think in some ways, it can do a listener a disservice to explain a song. I think I'd rather leave a little room for people to put themselves in it.
Like dancers with choreography or actors with scripts, jazz singers could take material that was known, even loved, then risk interpreting and revising it. They could conceal even as they revealed themselves. Inflection, timing and tonality were their language, at least as much as words.
Subscribe for the occasional hand-picked quote. No noise.