The first thing you have to get used to in any kind of acting is the ability to make a fool of yourself. If you haven't learnt how to make a fool of yourself, you shouldn't be on the boards. That's absolutely what it's all about.
John HurtRead
Grant that the true organ with which the beautiful is apprehended is the imagination, and it follows that all arts are likely to affect the feelings indirectly.
Interpretation
This quote emphasizes that imagination is the key to experiencing beauty, implying that all forms of art influence our emotions through this imaginative process.
Eduard Hanslick suggests that our capacity to perceive beauty comes not from direct observation, but rather from our imagination. This implies that art, in all its forms, has a profound effect on our emotions, as it engages our imaginative faculties, allowing us to connect with and feel the essence of what is artistically presented to us.
In practice
During an art class, a teacher may use this quote to inspire students to explore their imagination.
The first thing you have to get used to in any kind of acting is the ability to make a fool of yourself. If you haven't learnt how to make a fool of yourself, you shouldn't be on the boards. That's absolutely what it's all about.
The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.
You hear it said time and time again by successful directors: You have to make a movie for yourself. Don't make it for anyone else.
Often, especially young artists, you feel like you should be doing something. And I think that can be very destructive because creativity is about connecting with the stuff that's deep inside you and making something out of that.
All writing is communication; creative writing is communication through revelation-it is the Self-escaping into the open.
I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
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