We have come over a way that with tears has been watered, We have come, treading our path through the blood of the slaughtered.
James Weldon JohnsonRead
Nothing great or enduring, especially in music, has ever sprung full-fledged and unprecedented from the brain of any master; the best he gives to the world he gathers from the hearts of the people, and runs it through the alembic of his genius.
Interpretation
Great art, particularly music, is rooted in collective human experience and emotions rather than originating solely from the artist's imagination.
James Weldon Johnson's quote emphasizes that the creation of significant and lasting art, such as music, is not just an individual effort but a synthesis of the emotions and experiences of the community. Artists draw inspiration from the shared feelings of the people, transforming these collective insights through their unique imaginative processes to produce art that resonates deeply with others.
In practice
During a lecture on the influence of culture on music, this quote can illustrate how artists capture communal sentiments.
We have come over a way that with tears has been watered, We have come, treading our path through the blood of the slaughtered.
There are a great many colored people who are ashamed of the cake-walk, but I think they ought to be proud of it.
O Black and unknown bards of long ago, How came your lips to touch the sacred fire?
The battle was first waged over the right of the Negro to be classed as a human being with a soul; later, as to whether he had sufficient intellect to master even the rudiments of learning; and today it is being fought out over his social recognition.
I believe it to be a fact that the colored people of this country know and understand the white people better than the white people know and understand them.
It is a struggle; for though the black man fights passively, he nevertheless fights; and his passive resistance is more effective at present than active resistance could possibly be. He bears the fury of the storm as does the willow tree.
I've always had a profound conviction that great music is about joy, even in the face of tragedy.
There are days when I think the National Endowment for the Arts should issue a quota system for the production of plays by women - especially when you realize women buy 70 percent of all theater tickets.
It's much more fun to play something you're nothing like than what you are... It's much easier to hide yourself in a character.
The celebrity-chef thing, even at its worst, its most annoying, its silliest, its goofiest, its most egregious and cynical, has been a good thing.
They hear it come out, but they don't know how it got there. They don't understand that's life's way of talking. You don't sing to feel better. You sing 'cause that's a way of understanding life.
For a long time, I bought into the idea that if you are a woman who is a storyteller and a lover of movies, then the best way to express that is as an actress. Obviously, there are women my age who are directors who didn't buy into that idea, but I did - and now I've broken that down inside myself.
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