We have come over a way that with tears has been watered, We have come, treading our path through the blood of the slaughtered.
James Weldon JohnsonRead
Nothing great or enduring, especially in music, has ever sprung full-fledged and unprecedented from the brain of any master; the best he gives to the world he gathers from the hearts of the people, and runs it through the alembic of his genius.
Interpretation
Great art, particularly music, is rooted in collective human experience and emotions rather than originating solely from the artist's imagination.
James Weldon Johnson's quote emphasizes that the creation of significant and lasting art, such as music, is not just an individual effort but a synthesis of the emotions and experiences of the community. Artists draw inspiration from the shared feelings of the people, transforming these collective insights through their unique imaginative processes to produce art that resonates deeply with others.
In practice
During a lecture on the influence of culture on music, this quote can illustrate how artists capture communal sentiments.
We have come over a way that with tears has been watered, We have come, treading our path through the blood of the slaughtered.
There are a great many colored people who are ashamed of the cake-walk, but I think they ought to be proud of it.
O Black and unknown bards of long ago, How came your lips to touch the sacred fire?
The battle was first waged over the right of the Negro to be classed as a human being with a soul; later, as to whether he had sufficient intellect to master even the rudiments of learning; and today it is being fought out over his social recognition.
I believe it to be a fact that the colored people of this country know and understand the white people better than the white people know and understand them.
It is a struggle; for though the black man fights passively, he nevertheless fights; and his passive resistance is more effective at present than active resistance could possibly be. He bears the fury of the storm as does the willow tree.
The actor is an athlete of the heart.
In the world of animation, you can be anything you wanna be. If you're a fat woman, you can play a skinny princess. If you're short wimpy guy, you can play a tall gladiator. If you're a white man, you can play an Arabian prince. And if you're a black man, you can play a donkey or a zebra.
I believe in sketching because there is something very sensitive in sketching, you know, in sketches that you don't have out of a computer that looks the same like everybody even if, later on, the dresses are OK, but I like to sketch, and I like to see trails made after my sketches that look the same. It is you know, what I like.
Writing fiction is an inherently political activity because people-even imaginary ones-do not live in vacuums... From Twilight to Romeo and Juliet to The Little Mermaid, no work of the imagination is truly apolitical, because the world and our hopes for it are always part of our stories.
I've always sought to express a tension in form and meaning in order to achieve a veracity. I have come to the conclusion that the art world has to join us, women artists, not we join it. When women are in leadership roles and gain rewards and recognition, then perhaps 'we' (women and men) can all work together in art world actions.
The sole art that suits me is that which, rising from unrest, tends toward serenity.
Subscribe for the occasional hand-picked quote. No noise.