But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
Eugenio MontaleRead
This proves that great lyric poetry can die, be reborn, die again, but will always remain one of the most outstanding creations of the human soul.
Interpretation
Great lyric poetry endures through time despite its cycles of popularity and decline.
Eugenio Montale reflects on the timeless nature of great lyric poetry, suggesting that while it may experience periods of death and rebirth in terms of its relevance and appreciation, it remains a profound expression of human creativity and emotion. This indicates that the essence of lyric poetry connects deeply with the human experience, making it an enduring art form that transcends generations.
In practice
In a discussion about the impact of art on society, this quote could illustrate the significance of poetry throughout history.
But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.
Mass communication, radio, and especially television, have attempted, not without success, to annihilate every possibility of solitude and reflection.
It has often been observed that the repercussion of poetic language on prose language can be considered a decisive cut of a whip.
I have always knocked at the door of that wonderful and terrible enigma which is life.
For my part, if I consider poetry as an object, I maintain that it is born of the necessity of adding a vocal sound (speech) to the hammering of the first tribal music.
In fiction, you know, there are no borders. You can go anywhere.
What's interesting about the process of acting is how often you don't know what you're doing.
With 'Taxi Driver,' I had this eureka moment. I realized that acting could be much more than what I had been doing. I had to build a character that wasn't me.
His outflung hands traced over the threads of his rug, passed loop by loop through some patient woman's hands. Or maybe she hadn't been patient. Maybe she'd been tired, or irritated, or distracted, or hungry, or angry. Maybe she had been dying. But her hands had kept moving, all the same.
Unfortunately, there aren't enough interesting acting roles in New Zealand to sustain a career.
I do not have one theme for each season, I just try to make beautiful clothes all year round.
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