When the uncreative tell the creative what to do, it stops being art.
Tony BennettRead
It's a great thing that the United States has given the rest of the world - no other country has given such great popular music to the Far East and Europe. When I play those great countries, a lot of times, the audience starts singing the songs with me. They know them. They love them.
Interpretation
This quote emphasizes the cultural impact of American music worldwide and its ability to connect with audiences across different countries.
Tony Bennett highlights the unique contribution of American popular music to the global cultural landscape, particularly in regions like the Far East and Europe. He reflects on the joy and connection he feels when performing in these countries, noting how audiences are familiar with and passionate about the music, illustrating the powerful reach and influence of this art form.
In practice
Using this quote during a speech about the impact of music in global cultures.
When the uncreative tell the creative what to do, it stops being art.
Someday, when I'm awfully low, and the world is cold, I will feel a glow just thinking of you, and the way you look tonight.
I lived for 15 years in Los Angeles, and I still can't believe that the handsomest man in the world, Cary Grant, and the greatest performer in the world, Fred Astaire, and Johnny Carson, one after another - they were all in my home at different times. I celebrated my 50th birthday with them. Unforgettable.
My goal as a creative person is to express truth and beauty in whatever I do
If you follow your passion, you'll never work a day in your life.
To me, life is a gift, and it's a blessing to just be alive. And each person should learn what a gift it is to be alive no matter how tough things get.
Draw a line; draw a line that pleases you. And remember that it is not the artist's role to copy the outlines of things but to create a world of his own lines on paper." (pp.28-29)
I don't care if it's a mystery story, a Western, or the story of Julius Caesar. To me it's the emotion, the lies, the double-cross, whether it's Brutus doing it to Caesar or Bob Stack doing it to Robert Ryan that defines what kind of drama it is.
I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it.
In fiction you're not often writing about the typical; you are interested in outliers, the points of interest. Part of it comes from feeling I was the only Asian or person of colour... another part comes from my personality: I'm an introvert, and my usual survival mode in a large group is to stand by a wall and watch everybody.
The photo is a thing in itself. And that's what still photography is all about.
If everybody became a poet the world would be much better. We would all read to each other.
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