It is my fervent wish and my greatest ambition to leave a work with a few useful instructions for the pianists after me.
Franz LisztRead
My mind and fingers have worked like the damned. Homer, the Bible, Plato, Locke, Lamartine, Chateaubriand, Beethoven, Bach, Hummel, Mozart, Weber are all around me. I study them. I devour them with fury.
Interpretation
This quote expresses the intensity of Franz Liszt's dedication to his craft and the inspiration he draws from great artists and thinkers.
Franz Liszt conveys the passionate commitment he has to his work as a composer and pianist. He illustrates how the great works of significant historical figures like Homer, the Bible, and various renowned composers surround him, fueling his dedication and creativity. This fusion of tireless effort and reverence for artistic excellence highlights the profound relationship between the artist and the influences that shape their creations.
In practice
In a speech about artistic passion and commitment.
It is my fervent wish and my greatest ambition to leave a work with a few useful instructions for the pianists after me.
Music is the heart of life." She speaks love; "without it, there is no possible good and with it everything is beautiful.
For the virtuoso, musical works are in fact nothing but tragic and moving materializations of his emotions; he is called upon to make them speak, weep, sing and sigh, to recreate them in accordance with his own consciousness. In this way he, like the composer, is a creator, for he must have within himself those passions that he wishes to bring so intensely to life.
I conclude that the Wagnerian operas which are already in the repertoire, and other masterworks as well, stand in no further need of my services.
Music is never stationary; successive forms and styles are only like so many resting-places - like tents pitched and taken down again on the road to the Ideal.
A good Cuban cigar closes the doors to the vulgarities of the world.
The inmost spirit of poetry, in other words, is at bottom, in every recorded case, the voice of pain – and the physical body, so to speak, of poetry, is the treatment by which the poet tries to reconcile that pain with the world.
You're only reduced to a cliche if you don't humanize a character.
There's one thing better than having a great actor, and that's having a great actor who's never done this kind of role before and is hungry to do it. They're testing themselves every day. They want to get out of their trailer and get to work.
The deal is such that when I begin writing something, I open a door, and those characters come in, and then they won't leave, and so I live with them every day, all day. They are there with me when I'm driving my kids to school, when I'm standing in line at the grocery store.
To finish a work? To finish a picture? What nonsense! To finish it means to be through with it, to kill it, to rid it of its soul, to give it its final blow the coup de grace for the painter as well as for the picture.
Theater is a verb before it is a noun, an act before it is a place.
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