My mind and fingers have worked like the damned. Homer, the Bible, Plato, Locke, Lamartine, Chateaubriand, Beethoven, Bach, Hummel, Mozart, Weber are all around me. I study them. I devour them with fury.
Franz LisztRead
For the virtuoso, musical works are in fact nothing but tragic and moving materializations of his emotions; he is called upon to make them speak, weep, sing and sigh, to recreate them in accordance with his own consciousness. In this way he, like the composer, is a creator, for he must have within himself those passions that he wishes to bring so intensely to life.
Interpretation
A virtuoso transforms music into an expression of deep emotions, making the work come alive through personal experience.
This quote emphasizes the role of a virtuoso musician as not just a performer but also a creator who embodies the emotions of the composition. Franz Liszt suggests that true musical artistry lies in the ability of the musician to internalize and express the passions inherent in the music, allowing it to resonate deeply with audiences and evoke strong feelings.
In practice
In a speech about the power of music in connecting with people during emotional times.
My mind and fingers have worked like the damned. Homer, the Bible, Plato, Locke, Lamartine, Chateaubriand, Beethoven, Bach, Hummel, Mozart, Weber are all around me. I study them. I devour them with fury.
It is my fervent wish and my greatest ambition to leave a work with a few useful instructions for the pianists after me.
Music is the heart of life." She speaks love; "without it, there is no possible good and with it everything is beautiful.
I conclude that the Wagnerian operas which are already in the repertoire, and other masterworks as well, stand in no further need of my services.
Music is never stationary; successive forms and styles are only like so many resting-places - like tents pitched and taken down again on the road to the Ideal.
A good Cuban cigar closes the doors to the vulgarities of the world.
No story lives unless someone wants to listen. So thank you, all of you.
A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself . . . with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions.
When they say 'jazz,' I'm thinking of a word called 'the creative process.' It intersects every vein and tributary, avenue, path, that everyone's living. It crosses through there, but it's been contained.
Poetry is not truth, it is the resurrection of presences.
In Seattle, I soon found that my radical ideas and aesthetic explorations - ideas and explorations that in Richmond, Virginia, might have gotten me stoned to death with hush puppies - were not only accepted but occasionally applauded.
I love performing outside because it's as if the heavens are open and the elements become part of the stage show as well - you know, the wind and the rain and the thunder. It's almost as if there's a sense of invocation in performance.
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