I have at this moment so many fundamental thoughts, so many truly metaphysical things to say, that I suddenly get tired and decide not to write any more, not to think any more, but to allow the fever of speaking to make me sleepy, and with my eyes closed, like a cat, I play with everything I could have said.
My hapless peers with their lofty dreams--how I envy and despise them! I'm with the others, the even more hapless, who have no-one but themselves to whom they can tell their dreams and show what would be verses if they wrote them. I'm with those poor slobs who have no books to show, who have no literature beside their own soul, and who are suffocating to death due to the fact that they exist without having taken that mysterious, transcendental exam that makes one eligible to live.
Interpretation
What this quote means
The quote expresses a deep sense of envy and despair over unfulfilled dreams and the isolation of creativity.
In this quote, Fernando Pessoa reflects on the feelings of inadequacy and envy he experiences towards his peers, who have lofty dreams and the means to express them. He feels trapped among those who have no external validation or creative outlets, emphasizing a profound longing to share and manifest his own dreams and thoughts, which leads to a sense of existential suffocation and a yearning for recognition and connection through literature and art.
Themes
In practice
Example use cases
In a speech at a creative writing workshop, one might quote this to inspire vulnerability and sharing among budding authors.
More from Fernando Pessoa
All quotes →It's been months since I last wrote. I've lived in a state of mental slumber, leading the life of someone else. I've felt, very often, a vicarious happiness. I haven't existed. I've been someone else. I've lived without thinking.
We all have two lives: The true, the one we dreamed of in childhood And go on dreaming of as adults in a substratum of mist; the false, the one we love when we live with others, the practical, the useful, the one we end up by being put in a coffin.
I'm a man for whom the outside world is an inner Reality.
My dreams are a stupid refuge, like an umbrella against a thunderbolt.
The chill of what I won't feel gnaws at my present heart.
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He that compares what he has done with what he has left undone, will feel the effect which must always follow the comparison of imagination with reality; he will look with contempt on his own unimportance, and wonder to what purpose he came into the world; he will repine that he shall leave behind him no evidence of his having been, that he has added nothing to the system of life, but has glided from youth to age among the crowd, without any effort for distinction.
Chance does not speak essentially through words nor can it be seen in their convolution. It is the eruption of language, its sudden appearance. It's not a night twinkle with stars, an illuminated sleep, nor a drowsy vigil. It is the very edge of consciousness.