And at least in poetry you should feel free to lie. That is, not to lie, but to imagine what you want, to follow the direction of the poem.
Mark StrandRead
It hardly seems worthwhile to point out the shortsightedness of those practitioners who would have us believe that the form of the poem is merely its shape.
Interpretation
The quote critiques those who oversimplify poetry by focusing only on its structural aspects.
Mark Strand emphasizes that poetry is not just about its physical appearance or form; rather, it embodies deeper meanings, emotions, and experiences. By referring to 'shortsightedness,' he suggests that limiting one's understanding of poetry to its shape neglects its rich content and the true essence of the art form.
In practice
In a panel discussion on poetry, to highlight the importance of depth in writing.
And at least in poetry you should feel free to lie. That is, not to lie, but to imagine what you want, to follow the direction of the poem.
...In another time, What cannot be seen will define us, and we shall be prompted To say that language is error, and all things are wronged By representation. The self, we shall say, can never be Seen with a disguise, and never be seen without one.
Even this late it happens the coming of love, the coming of light. You wake and the candles are lit as if by themselves, stars gather, dreams pour into your pillows, sending up warm bouquets of air. Even this late the bones of the body shine and tomorrowβs dust flares into breath.
No voice comes from outer space, from the folds of dust and carpets of wind to tell us that this is the way it was meant to happen, that if only we knew how long the ruins would last we would never complain.
From the shadow of domes in the city of domes,_x000D_ A snowflake, a blizzard of one, weightless, entered your room_x000D_ And made its way to the arm of the chair where you, looking up_x000D_ From your book, saw it the moment it landed. That's all_x000D_ There was to it.
There's a certain point, when you're writing autobiographical stuff, where you don't want to misrepresent yourself. It would be dishonest.
As an actor, you can't just imitate someone. You have to get under her skin.
Novel-writing is, for the novelist, a game of let's pretend.
One begins by plaguing oneself to no purpose in order to be true to nature, and one concludes by working quietly from one's own palette alone, and then nature is the result.
But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
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