Some of what I consider my best work, and some of the best films that I've ever worked on, kind of disappear without a trace. There's no accounting for it. Something connects, or something doesn't.
Roger DeakinsRead
There's so many films from around the world, I emphasize, that are so beautifully photographed, but they don't get the recognition.
Interpretation
What this quote means
Many beautifully made films go unnoticed despite their artistic value.
Roger Deakins points out the unfortunate reality that numerous films from different cultures and regions are crafted with exceptional artistry, yet they often fail to receive the acknowledgment they deserve in the film industry. This highlights the subjective nature of recognition in art and the need for broader appreciation of diverse cinematic expressions.
Themes
FilmsRecognitionArtCinemaPhotography
In practice
Example use cases
Using this quote in a film festival speech to emphasize the importance of recognizing diverse talents.
More from Roger Deakins
All quotes →You can’t learn your craft by copying me or anyone else. I hope what I do can do is in some way inspire others but I would be appalled if I thought my work was being studied as ‘the right way to do the job’. My way is just one of an infinite number of ways to do the job.
Roger DeakinsRead
Am I nostalgic for film? … I mean, it’s had a good run, hasn’t it? You know, I’m not nostalgic for a technology. I’m nostalgic for the kind of films that used to be made that aren’t being made now.
Roger DeakinsRead
If you shoot with a billion cameras, then there's no perspective. You want to use one shot at a time, so it's better to discover what that is before you shoot, rather than trying to make something in the cutting room, and then it just becomes generic.
Roger DeakinsRead
Someone said to me, early on in film school... if you can photograph the human face you can photograph anything, because that is the most difficult and most interesting thing to photograph.
Roger DeakinsRead
There's nothing worse than an ostentatious shot or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something. But it's not necessarily right for the film — you jump out, you think about the surface, and you don't stay in there with the characters and the story.
Roger DeakinsRead
Similar quotes
Theatre is liberating because it only works if it's truthful, That's what it requires. That's not true of film: the camera does lie.
Helen MccroryRead
but writers, Garp knew, were just observers - good and ruthless imitators of human behavior.
John IrvingRead
When you write, you lay out a line of words. The line of words is a miner's pick, a wood carver's gouge, a surgeon's probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year.
Annie DillardRead
18th century opera is packed with emotion, but contains not a trace of kitsch. Only with the 'thees' and 'thous' of Victorian poetry does the disease begin to grow in our poetic tradition.
Roger ScrutonRead
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
Frank Lloyd WrightRead
Creative life should be more than preaching to the converted, more than going for a core audience of 100,000 people. It should be taking risks, challenging the readership and having enough faith in one's own talent and craft to take readers on that ride.
Chris ClaremontRead