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18th century opera is packed with emotion, but contains not a trace of kitsch. Only with the 'thees' and 'thous' of Victorian poetry does the disease begin to grow in our poetic tradition.
Roger Scruton
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Interpretation

What this quote means

Scruton argues that 18th-century opera expresses deep emotions without resorting to superficiality, a contrast to Victorian poetry's more pretentious tone.

In this quote, Roger Scruton reflects on the emotional depth found in 18th-century opera, suggesting that such works convey genuine feeling without the insincerity often associated with kitsch. He critiques Victorian poetry for incorporating archaic language that can detract from the authenticity of expression, indicating a decline in poetic quality as it moves away from the raw emotion found in earlier forms of art.

Themes

EmotionArtOperaPoetryAuthenticityKitsch

In practice

Example use cases

In a discussion about the evolution of art, this quote highlights the unique emotional expression of 18th-century opera.

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For many artists and critics, beauty is a discredited idea. It denotes the saccharine sylvan scenes and cheesy melodies that appealed to Granny.
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