There are big questions science doesn't answer, such as why is there something rather than nothing? There can't be a scientific answer to that because it's the answer that precedes science.
Roger ScrutonRead
One of the questions that has most bothered me in my reflections on culture is the question of kitsch. Just what is it? When did it begin? And why?
Interpretation
Kitsch refers to art or objects that are considered to be in bad taste due to their overly sentimental or superficial nature.
In this quote, Roger Scruton expresses his curiosity about the concept of kitsch in culture, pondering its origins and the reasons behind its existence. He invites a deeper exploration of aesthetic values and the cultural significance of art that is often dismissed as lowbrow or lacking in sophistication.
In practice
In a discussion about contemporary art, this quote can highlight the complexity of artistic value.
There are big questions science doesn't answer, such as why is there something rather than nothing? There can't be a scientific answer to that because it's the answer that precedes science.
18th century opera is packed with emotion, but contains not a trace of kitsch. Only with the 'thees' and 'thous' of Victorian poetry does the disease begin to grow in our poetic tradition.
The robust English view used to be that the correct response to offensive words is to ignore them, or to answer them with a rebuke. If you invoke the law at all, it should be to protect the one who gives the offence, and not the one who takes it. Now, it seems, it is all the other way round.
For two centuries the English countryside has been an icon of national identity and the loved reminder of our island home. Yet the government is bent on littering the hills with wind turbines and the valleys with high speed railways.
You cannot own a symphony or a novel in the way you can own a Damien Hirst. As a result there are far fewer fake symphonies or fake novels than there are fake works of visual art.
For many artists and critics, beauty is a discredited idea. It denotes the saccharine sylvan scenes and cheesy melodies that appealed to Granny.
The way a small child might dream of visiting Disneyland, I dreamed of writing books. Never did I think my poems would become that.
The writer can choose what he writes about but he cannot choose what he is able to make live.
Simultaneous contrast is not just a curious optical phenomenon β it is the very heart of painting. Repeated experiments with adjacent colors will show that any ground subtracts its own hue from the colors which it carries and therefore influences.
Do I watch dancers as people? Yes, absolutely. Do I watch really good dancers for specifically who they are? Absolutely, because how they move best and how they look best is going to be most familiar to them, and not necessarily to me.
My art will reflect not necessarily conscious politics but the unanalysed politics of my life.
My plays have been performed before children, workers, and peasants, and they have well understood the meaning of my theatre. What is needed for people to watch my theatre is a freshness and openness of mind.
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