One of the questions that has most bothered me in my reflections on culture is the question of kitsch. Just what is it? When did it begin? And why?
Roger ScrutonRead
You cannot own a symphony or a novel in the way you can own a Damien Hirst. As a result there are far fewer fake symphonies or fake novels than there are fake works of visual art.
Interpretation
True artistic works, like symphonies and novels, cannot be replicated or owned in the same way that physical art can be.
In this quote, Roger Scruton emphasizes the uniqueness of artistic expressions such as music and literature compared to visual art. He suggests that unlike paintings or sculptures, which can be reproduced or forged, the essence of a symphony or a novel lies in their experience and interpretation, making it difficult to counterfeit their authenticity.
In practice
In a discussion on the value of art, one could use this quote to highlight the importance of originality.
One of the questions that has most bothered me in my reflections on culture is the question of kitsch. Just what is it? When did it begin? And why?
There are big questions science doesn't answer, such as why is there something rather than nothing? There can't be a scientific answer to that because it's the answer that precedes science.
18th century opera is packed with emotion, but contains not a trace of kitsch. Only with the 'thees' and 'thous' of Victorian poetry does the disease begin to grow in our poetic tradition.
The robust English view used to be that the correct response to offensive words is to ignore them, or to answer them with a rebuke. If you invoke the law at all, it should be to protect the one who gives the offence, and not the one who takes it. Now, it seems, it is all the other way round.
For two centuries the English countryside has been an icon of national identity and the loved reminder of our island home. Yet the government is bent on littering the hills with wind turbines and the valleys with high speed railways.
For many artists and critics, beauty is a discredited idea. It denotes the saccharine sylvan scenes and cheesy melodies that appealed to Granny.
A studio, like a poem, is an intimacy and a freedom you can look out from, into each part of your life and a little beyond.
The most important thing to realise is that everyone is capable of telling a story. It doesn't matter where we were born or how we grew up.
Nothing I force myself to write about ever turns out well, and so I've learned to wait for the voice, the incident, the image that reverberates.
Translation is a form of passive aggression. In doing it, a writer chooses to forgo original authorship so as to play havoc with a foreign original in a process of imitation, zigzagging between the foreign and receiving languages but in the last analysis cancelling the first in favor of the second.
In the future, everybody will be world famous for fifteen minutes.
Inspiring music may fill the soul with heavenly thoughts, move one to righteous action, or speak peace to the soul.
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