One of the questions that has most bothered me in my reflections on culture is the question of kitsch. Just what is it? When did it begin? And why?
Roger ScrutonRead
You cannot own a symphony or a novel in the way you can own a Damien Hirst. As a result there are far fewer fake symphonies or fake novels than there are fake works of visual art.
Interpretation
True artistic works, like symphonies and novels, cannot be replicated or owned in the same way that physical art can be.
In this quote, Roger Scruton emphasizes the uniqueness of artistic expressions such as music and literature compared to visual art. He suggests that unlike paintings or sculptures, which can be reproduced or forged, the essence of a symphony or a novel lies in their experience and interpretation, making it difficult to counterfeit their authenticity.
In practice
In a discussion on the value of art, one could use this quote to highlight the importance of originality.
One of the questions that has most bothered me in my reflections on culture is the question of kitsch. Just what is it? When did it begin? And why?
There are big questions science doesn't answer, such as why is there something rather than nothing? There can't be a scientific answer to that because it's the answer that precedes science.
18th century opera is packed with emotion, but contains not a trace of kitsch. Only with the 'thees' and 'thous' of Victorian poetry does the disease begin to grow in our poetic tradition.
The robust English view used to be that the correct response to offensive words is to ignore them, or to answer them with a rebuke. If you invoke the law at all, it should be to protect the one who gives the offence, and not the one who takes it. Now, it seems, it is all the other way round.
For two centuries the English countryside has been an icon of national identity and the loved reminder of our island home. Yet the government is bent on littering the hills with wind turbines and the valleys with high speed railways.
For many artists and critics, beauty is a discredited idea. It denotes the saccharine sylvan scenes and cheesy melodies that appealed to Granny.
The great poet is always a seer, seeing less with the eyes of the body than he does with the eyes of the mind.
I am interested in reconstructing symbols. It's about connecting with an older knowledge and trying to discover continuities in why we search for heaven.
People observe the colors of a day only at its beginnings and ends, but to me it's quite clear that a day merges through a multitude of shades and intonations with each passing moment. A single hour can consist of thousands of different colors. Waxy yellows, cloud-spot blues. Murky darkness. In my line of work, I make it a point to notice them.
The first thing that an architect must do is to sense that every building you build is a world of its own, and that this world of its own serves an institution.
We're artists too, but we do a good job hiding it, don't we?
To finish a work? To finish a picture? What nonsense! To finish it means to be through with it, to kill it, to rid it of its soul, to give it its final blow the coup de grace for the painter as well as for the picture.
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