My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Pablo PicassoRead
To finish a work? To finish a picture? What nonsense! To finish it means to be through with it, to kill it, to rid it of its soul, to give it its final blow the coup de grace for the painter as well as for the picture.
Interpretation
Completing a piece of art can strip it of its essence and spirit.
In this quote, Pablo Picasso expresses the idea that finalizing a work of art is not merely a conclusion but a form of death for the artwork's creative spirit. He suggests that the act of finishing takes away the vitality and soul of what the artist has created, implying that art is an ongoing process rather than a definitive endpoint.
In practice
This quote can be used in an art class to inspire students about the creative process.
My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Painting is just another way of keeping a diary.
In drawing, nothing is better than the first attempt.
He can who thinks he can, and he can't who thinks he can't. This is an inexorable, indisputable law.
You have to have an idea of what you are going to do, but it should be a vague idea.
I paint the way someone bites his fingernails; for me, painting is a bad habit because I don't know nor can I do anything else.
Art offers sanctuary to everyone willing to open their Hearts as well as their Eyes.
The artist appeals to that part of our being which is not dependent on wisdom; to that in us which is a gift and not an acquisition-and therefore, more permanently enduring. He speaks to our capacity for delight and wonder, to the sense of mystery surrounding our lives; to our sense of pity, and beauty and pain.
What I mean is sometimes, for an artist, chronic pain can be a gift.
The artist takes in the world, but instead of being oppressed by it, he reworks it in his own personality and recreates it in the work of art.
One writes such a story [The Lord of the Rings] not out of the leaves of trees still to be observed, nor by means of botany and soil-science; but it grows like a seed in the dark out of the leaf-mold of the mind: out of all that has been seen or thought or read, that has long ago been forgotten, descending into the deeps. No doubt there is much personal selection, as with a gardener: what one throws on one's personal compost-heap; and my mold is evidently made largely of linguistic matter.
In 'Roma,' I wanted to get across the idea that underneath Rome today is ancient Rome. So close. I am always conscious of that, and it thrills me. Imagine being in a traffic jam at the Coliseum! Rome is the most wonderful movie set in the world... As was the case with many of my film ideas, it was inspired by a dream.
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