As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
When I bestride him, I soar, I am a hawk: he trots the air; the earth sings when he touches it; the basest horn of his hoof is more musical than the pipe of Hermes.
Interpretation
This quote conveys the exhilaration and beauty of riding a powerful steed, comparing the experience to soaring like a hawk.
In this quote, Shakespeare uses vivid imagery to express the transcendent joy of riding a horse. The comparison to a hawk emphasizes the freedom and elevation one feels when in tune with such a majestic animal. The reference to the musicality of the horse's movements suggests that even the simplest aspects of the experience are filled with beauty and harmony, elevating both the rider and the surroundings.
In practice
Sharing this quote during a horseback riding retreat to inspire participants.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
Using a camera appeases the anxiety which the work-driven feel about not working when they are on vacation and supposed to be having fun. They have something to do that is like a friendly imitation of work: they can take pictures.
Theatre is not supposed to represent psychology but passions, which is totally different. Its role is to represent the soul's different emotional states, and those of the mind, the world history.
To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.
You write to become immortal, or because the piano happens to be open, or you've looked into a pair of beautiful eyes.
The writer must be able to revel and roll in the abundance of words; he must know not only the direct but also the secret power of a word. There are overtones and undertones to a word, and lateral echoes, too.
I don't care about being a pioneer. People act like it would be cool to be a pioneer. I'm okay to be looked at as that, but it's just that we don't get transmitted our cultural heritage as women artists.
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