I believe that the reason why I love painting so much is that it forces one to be objective. There is nothing I hate more than sentimentality.
Max BeckmannRead
My heart beats more for a raw, average vulgar art, which doesn't live between sleepy fairy-tale moods and poetry but rather concedes a direct entrance to the fearful, commonplace, splendid and the average grotesque banality in life.
Interpretation
The quote celebrates raw and unrefined art that depicts the ordinary and often uncomfortable aspects of life.
Max Beckmann's quote expresses a deep appreciation for art that is grounded in reality, rather than idealistic or fantastical representations. He suggests that true art captures the raw essence of life, including its fears, commonplace experiences, and even its 'grotesque' elements, thus resonating more authentically with the human experience.
In practice
This quote can be used in an art critique to emphasize the value of unconventional and raw artistic expressions over polished or idealized works.
I believe that the reason why I love painting so much is that it forces one to be objective. There is nothing I hate more than sentimentality.
I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting.
I am seeking for the bridge which leans from the visible to the invisible through reality.
Francie was ten years old when she first found an outlet in writing. What she wrote was of little consequence. What was important was that the attempt to write stories kept her straight on the dividing line between truth and fiction. If she had not found this outlet in writing, she might have grown up to be a tremendous liar.
Drag is involved with changing identities and not taking identities too seriously at all. That's why drag is such a hard sell to a network - or anyone, really - because it's up against the ego.
But the only rhyme he could summon for 'out' was 'sauerkraut,' which lacked poetic glory. He let it go. The right line would come in time. That was the thing about poetry. It crept up through the draws and coulees of the brain.
What I want to give in the theatre is beauty, that's what I want to give.
I wanted to produce a book that would demonstrate not only the rich diversity of people who answered to Anders's command but also the extraordinary variety of their experiences and emotions: from death to despair, fear and longings and eventually to hope.
From the reader's view, a poem is more demanding than prose.
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