I want to still be me when I wake up one fine morning and have breakfast at Tiffany´s.
Truman CapoteRead
You can’t give your heart to a wild thing.
Interpretation
The quote suggests that one cannot fully love or trust someone who is unpredictable or unrestrained.
Truman Capote's quote highlights the inherent difficulties in giving one's heart to someone who embodies wildness or lacks stability. This could refer to individuals who are untamed, emotionally volatile, or live life without boundaries, indicating that true love requires a foundation of trust and predictability that may not be present in a 'wild thing'.
In practice
During a speech about the complexities of love and relationships.
I want to still be me when I wake up one fine morning and have breakfast at Tiffany´s.
All writing, all art, is an act of faith. If one tries to contribute to human understanding, how can that be called decadent? It's like saying a declaration of love is an act of decadence. Any work of art, provide it springs from a sincere motivation to further understanding between people, is an act of faith and therefore is an act of love.
No one will ever know what 'In Cold Blood' took out of me. It scraped me right down to the marrow of my bones. It nearly killed me. I think, in a way, it did kill me.
Hot weather opens the skull of a city, exposing its white brain, and its heart of nerves, which sizzle like the wires inside a lightbulb. And there exudes a sour extra-human smell that makes the very stone seem flesh-alive, webbed and pulsing.
I don't want to own anything until I find a place where me and things go together.
The quietness of his tone italicized the malice of his reply.
Real love is figuring out how someone wants to be loved and loving them in that way.
Love is a battle, and I plan to go on fighting. To the end.
The truly good gaze upon everything with love and understanding.
He knew only that his child was his warrant. He said: If he is not the word of God God never spoke.
Trapped in silence, Marco traces apologies and adorations across Celia's body with his tongue. Mutely expressing all the things he cannot speak aloud. He finds other ways to tell her, his fingers leaving faint trails of ink in their wake. He savors every sound he elicits from her. The entire room trembles as they come together. And though there are a great many fragile objects contained within it, nothing breaks.
Love matches, so called, have illusion for their father and need for their mother.
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