I want to still be me when I wake up one fine morning and have breakfast at Tiffany´s.
Truman CapoteRead
The quietness of his tone italicized the malice of his reply.
Interpretation
The calmness in his voice highlighted the underlying hostility in his words.
Truman Capote's quote illustrates how the manner of speaking can amplify the meaning behind the words, suggesting that a soft tone can hold a powerful, even malicious intent. It serves as a reminder that communication is not solely about the verbal message conveyed but also about the emotions and subtleties that accompany it.
In practice
During a debate, he used the quote to highlight how opponents can mask their true feelings.
I want to still be me when I wake up one fine morning and have breakfast at Tiffany´s.
All writing, all art, is an act of faith. If one tries to contribute to human understanding, how can that be called decadent? It's like saying a declaration of love is an act of decadence. Any work of art, provide it springs from a sincere motivation to further understanding between people, is an act of faith and therefore is an act of love.
No one will ever know what 'In Cold Blood' took out of me. It scraped me right down to the marrow of my bones. It nearly killed me. I think, in a way, it did kill me.
Hot weather opens the skull of a city, exposing its white brain, and its heart of nerves, which sizzle like the wires inside a lightbulb. And there exudes a sour extra-human smell that makes the very stone seem flesh-alive, webbed and pulsing.
I don't want to own anything until I find a place where me and things go together.
My yardstick is how somebody treats me.
Literature sucks you into another psyche. So the creation of empathy necessarily influences how you'll behave to other people.
All novels are sequels; influence is bliss.
I think that most of us, anyway, read these stories that we know are not "true" because we're hungry for another kind of truth: the mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story. Fiction, because it is not about someone who lived in the real world, always has the possibility of being about oneself. --From the Introduction
The end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
Give the reader at least one character he or she can root for.
She liked books more than anything else, and was, in fact, always inventing stories of beautiful things and telling them to herself.
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