Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
The king died and then the queen died is a story. The king died, and then queen died of grief is a plot.
Interpretation
A simple sequence of events can be a story, but when emotions and motivations are involved, it becomes a deeper plot.
E. M. Forster's quote distinguishes between a mere recounting of events (story) and a more nuanced narrative (plot) that engages with the characters' emotions and motivations. The difference lies in the depth of meaning that is conveyed, highlighting how grief can transform a straightforward event into a rich psychological exploration.
In practice
This quote can be used in a writing workshop to discuss the importance of depth in storytelling.
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
... and the very folds of the curtains contained secrets and sighs.
Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.'' But in the six years of writing that novel, I actually learned to write, to invent things.
All told, she owned fourteen books, but she saw her story as being made up predominantly of ten of them. Of those ten, six were stolen, one showed up at the kitchen table, two were made for her by a hidden Jew, and one was delivered by a soft, yellow-dressed afternoon.
What fiction offers us is an intimacy shorn of the messy contingencies of human existence - gender, race, class or age. Those moments of transcendence when we exclaim 'You know exactly what I mean!' depend for much of their force on the anonymous character of the intimacy between writer and reader.
Only in the mystery novel are we delivered final and unquestionable solutions. The joke to me is that fiction gives you a truth that reality can't deliver.
I've written some standalone novels, but a book series allows fans in. There's much more intense involvement.
Subscribe for the occasional hand-picked quote. No noise.