Lust was a positive high-tension cable, plugged into my core, activating a near-epileptic seizure of conviction that this was the one thing I had to do in life.
Will SelfRead
What fiction offers us is an intimacy shorn of the messy contingencies of human existence - gender, race, class or age. Those moments of transcendence when we exclaim 'You know exactly what I mean!' depend for much of their force on the anonymous character of the intimacy between writer and reader.
Interpretation
Fiction provides a pure form of connection between the writer and the reader, free from real-world complexities.
In this quote, Will Self suggests that fiction creates a unique intimacy that transcends the messy realities of life, such as gender, race, class, or age. This intimacy allows readers to connect deeply with the writer's work, as it fosters moments of understanding and recognition, revealing the power of shared human experience, unbound by identity markers that typically influence our interactions.
In practice
A discussion on the significance of fiction in a book club.
Lust was a positive high-tension cable, plugged into my core, activating a near-epileptic seizure of conviction that this was the one thing I had to do in life.
When anyone starts out to do something creative - especially if it seems a little unusual - they seek approval, often from those least inclined to give it. But a creative life cannot be sustained by approval, any more than it can be destroyed by criticism - you learn this as you go on.
Sometimes, when I hear people without experience of addiction blame addicts for their behaviour, I feel like saying to them: 'You simply don't understand - how can a child be held responsible for doing such a dreadful thing to himself?' But then again, at other times I have to acknowledge: it was done wilfully.
Death, the real simile for disease - for when we are ill, do we not always feel like we are dying, even if it's only a little? - remains, despite our secularism, the most metaphoricised phenomenon of all.
The marvellous thing about writing, whether it be fiction or journalism, is that it is simultaneously the most intimate and the most anonymous of meetings between people. It is profoundly intimate in reaching into the psyche of another, at the same time as being devoid of social characteristics, cultural characteristics, economic characteristics.
One of the most heartening phenomena in today's Britain is the great diversity of the modern nerd - the nerd is out and proud, and while she may love 'Buffy the Vampire Slayer' merchandise more than is strictly warranted, she is in every way to be cherished as an exemplar of cosmopolitanism and tolerance.
A Christian novelist tries to describe the world as it is.
In novels, and American novels in particular, it's not just about redemption, it's about forward movement and healing oneself. Americans are very big on getting better.
I want to remind people of the great and profound joy that can be found in stories, and that stories can connect us to each other, and that reading together changes everybody involved.
Because of writers like Chinua Achebe and Camara Laye … I realized that people like me, girls with skin the color of chocolate, whose kinky hair could not form ponytails, could also exist in literature.
Perhaps the story in the book is just the lid on a pan: It always stays the same, but underneath there's a whole world that goes on - developing and changing like our own world.
In an age when other fantastically speedy, widespread media are triumphing, and running the risk of flattening all communication onto a single, homogenous surface, the function of literature is communication between things that are different simply because they are different, not blunting but even sharpening the differences between them, following the true bent of written language.
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