One of the great things about books is you can afford to do anything.
George R. R. MartinRead
I've written some standalone novels, but a book series allows fans in. There's much more intense involvement.
Interpretation
A book series fosters deeper connections between the story and its readers than standalone novels.
George R. R. Martin expresses the idea that writing a book series creates a unique bond between the author and the readers, as fans can engage more deeply with the characters and plot over an extended narrative. This prolonged interaction allows for a rich development of storylines and character arcs, enhancing the overall experience for the audience.
In practice
Discussing the impact of long series in a book club.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: βNot today.
I did not do it. Yet now I wish I had.β He turned to face the hall, that sea of pale faces. βI wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
I get a lot of moral guidance from reading novels, so I guess I expect my novels to offer some moral guidance, but they're not blueprints for action, ever.
A great age of literature is perhaps always a great age of translations.
I cannot start a story or chapter without knowing how it ends. ... Of course, it rarely ends that way.
All literature, is, finally autobiographical.
The most influential books, and the truest in their influence, are works of fiction. They repeat, they re-arrange, they clarify the lessons of life; they disengage us from ourselves, they constrain us to the acquaintance of others; and they show us the web of experience, but with a singular change-that monstrous, consuming ego of ours being, nonce, struck out.
We need the books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea inside us.
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