One of the great things about books is you can afford to do anything.
George R. R. MartinRead
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
Interpretation
The quote reflects the process of deep immersion and empathy a writer experiences when creating a character.
George R. R. Martin explains his writing technique, which involves adopting the perspective of a single character in each chapter. By doing so, he emphasizes the importance of understanding and embodying the character's thoughts and emotions, leading to a more authentic narrative experience.
In practice
Discussing writing techniques at a literature seminar.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: “Not today.
I did not do it. Yet now I wish I had.’ He turned to face the hall, that sea of pale faces. ‘I wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
Once a man has seen a dragon in flight, let him stay home and tend his garden in content, someone had written once, for this wide world has no greater wonder." Tyrion scratched at his scar and tried to recall the author's name.
I do not rewrite unless I am absolutely sure that I can express the material better if I do rewrite it.
Oh! snatched away in beauty's bloom,_x000D_ _x000D_ On thee shall press no ponderous tomb;_x000D_ _x000D_ But on thy turf shall roses rear_x000D_ _x000D_ Their leaves, the earliest of the year.
Now I found it in writing sentences. You can write that sentence in a way that you would have written it last year. Or you can write it in the way of the exquisite nuance that is sriting in your mind now. But that takes a lot of ... waiting for the right word to come.
I once believed that I possessed creative talent, but I have given up this idea; a woman must not desire to compose — there has never yet been one able to do it. Should I expect to be the one?
Matisse makes a drawing, then he makes a copy of it. He copies it five times, ten times, always clarifying the line. He’s convinced that the last, the most stripped down, is the best, the purest, the definitive one; and in fact, most of the time, it was the first. In drawing, nothing is better than the first attempt.
I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc. I prefer sticks, trowels, knives and dripping fluid paint or a heavy impasto with sand, broken glass or other foreign matter added.
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