George R. R. Martin

One of the great things about books is you can afford to do anything.

I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.

There is only one god and his name is Death. And there is only one thing we say to Death: “Not today.

I did not do it. Yet now I wish I had.’ He turned to face the hall, that sea of pale faces. ‘I wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.

But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.

I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.

Once a man has seen a dragon in flight, let him stay home and tend his garden in content, someone had written once, for this wide world has no greater wonder." Tyrion scratched at his scar and tried to recall the author's name.

None of us is ever ready,' he (Ned) said. 'For knighthood?' 'For death.

When I'm writing from a character's viewpoint, in essence I become that character; I share their thoughts, I see the world through their eyes and try to feel everything they feel.

Death, there will be death, aye. Your lordship lost a son at the Red Wedding. I lost four upon the Blackwater. And why? Because the Lannisters stole the throne. Go to King’s Landing and look on Tommen with your own eyes, if you doubt me. A blind man could see it. What does Stannis offer you? Vengeance. Vengeance for my sons and yours, for your husbands and your fathers and your brothers. Vengeance for your murdered lord, your murdered king, your butchered princes. Vengeance!

All fiction, if it's successful, is going to appeal to the emotions. Emotion is really what fiction is all about. That's not to say fiction can't be thoughtful, or present some interesting or provocative ideas to make us think. But if you want to present an intellectual argument, nonfiction is a better tool. You can drive a nail with a shoe but a hammer is a better tool for that. But fiction is about emotional resonance, about making us feel things on a primal and visceral level.

Ser Jaime?" Even in soiled pink satin and torn lace, Brienne looked more like a man in a gown than a proper woman."I am grateful, but...you were well away. Why come back?" A dozen quips came to mind, each crueler than the one before, but Jaime only shrugged. "I dreamed of you," he said.

Robert was never the same after he put on that crown. Some men are like swords, made for fighting. Hang them up and they go to rust.

As Daenerys Targaryen rose to her feet, her black hissed, pale smoke venting from its mouth and nostrils. The other two pulled away from her breasts and added their voices to the call, translucent wings unfolding and stirring the air, and for the first time in hundreds of years, the night came alive with the music of dragons.

Some writers enjoy writing, I am told. Not me. I enjoy having written.

The north remembers, Lord Davos. The north remembers, and the mummer’s farce is almost done. My son is home.

History is a wheel, for the nature of man is fundamentally unchanging. What has happened before will perforce happen again.

Sometimes he could almost forget that it was there, the way you forget about the sky or the earth underfoot, but there were other times when it seemed as if there was nothing else in the world.

He was beastly tired, but it was hard to stop. One more book, he had told himself, then I'll stop. One more folio, just one more. One more page, then I'll go up and rest and get a bite to eat. But there was always another page after that one, and another after that, and another book waiting underneath the pile. I'll just take a quick peek to see what this one is about, he'd think, and before he knew he would be halfway through it.

I am not going to get into it myself, except to say (1) if I am writing "boy fiction," who are all those boys with breasts who keep turning up by the hundreds at my signings and readings? and (2) thank you, geek girls! I love you all.

It's a fool boy who mocks a giant, and a mad world when a cripple has to defend him.