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All fiction, if it's successful, is going to appeal to the emotions. Emotion is really what fiction is all about. That's not to say fiction can't be thoughtful, or present some interesting or provocative ideas to make us think. But if you want to present an intellectual argument, nonfiction is a better tool. You can drive a nail with a shoe but a hammer is a better tool for that. But fiction is about emotional resonance, about making us feel things on a primal and visceral level.
George R. R. Martin
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Interpretation

What this quote means

Fiction evokes emotions, which makes it distinct from nonfiction that aims for intellectual discourse.

This quote emphasizes the primary role of emotions in fiction, asserting that successful fiction connects with readers on a deep emotional level. While he acknowledges that fiction can explore thoughtful ideas, its essence lies in evoking feelings, unlike nonfiction, which is more suited for presenting arguments. By using the metaphor of tools, George R. R. Martin illustrates that while different forms of writing serve their purposes, the emotional impact of fiction is unparalleled.

Themes

FictionEmotionArtWritingStorytelling

In practice

Example use cases

This quote can be shared during a writing workshop to inspire authors to focus on emotional depth in their stories.

More from George R. R. Martin

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I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
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There is only one god and his name is Death. And there is only one thing we say to Death: “Not today.
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I did not do it. Yet now I wish I had.’ He turned to face the hall, that sea of pale faces. ‘I wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
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But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
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I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
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